Study-Unit Description

Study-Unit Description


CODE DCS2012

 
TITLE Dance Criticism

 
UM LEVEL 02 - Years 2, 3 in Modular Undergraduate Course

 
MQF LEVEL Not Applicable

 
ECTS CREDITS 5

 
DEPARTMENT Dance Studies

 
DESCRIPTION This theoretical study-unit investigates the tensions between literary endeavours and journalistic imperatives, or opinions about works of art, specifically those in the performing arts, through a study of the critical operations of evaluation, interpretation, description and contextualisation. Methods and histories of description, discernment, interpretation and evaluation of dance performances and performers are interrogated, and questions raised about categorisation, documentation, authorship and influence with special reference to selected critical writings of dance historians and dance critics in the 20th and 21st centuries.

Study-unit Aims:

- To investigate selected models, theories and concepts used in dance criticism;
- To develop the ability to describe the components of the dance, discern the form of the dance, appreciate interpret and evaluate the dance;
- To investigate the relationships between dance history, dance criticism and journalism;
- To understand the differences of the critical operations of evaluation, interpretation, description and contextualisation.

Learning Outcomes:

1.Knowledge & Understanding:

By the end of the study-unit the student will be able to:
- Demonstrate selected models, theories and concepts used in dance criticism;
- Demonstrate the ability to describe the components of the dance, discern the form of the dance, appreciate interpret and evaluate the dance;
- Articulate and exemplify the relationships between dance history, dance criticism and journalism;
- Apply the critical operations of evaluation, interpretation, description and contextualisation.

2. Skills:

By the end of the study-unit the student will be able to:
- Apply theories and ideas from dance criticism to live dance and performance events;
- Write a portfolio of 4 critical articles (500-800 words each) on works that have been viewed live (if it is not possible to write all four on professionally produced works, 2 professional, and 2 amateur or educational works would be acceptable).

Main Text/s and any supplementary readings:

- Adshead, Janet. (ed.). 1988. Dance Analysis, Theory and Practice (London: Dance Books).
- Aloff, Minty. 2005. 'On Teaching Dance Criticism', in Judith Chazin-Bennahum (ed.), Teaching Dance Studies (NY and London: Routledge), pp 115-132.
- Arts Journal. 2016.
- Banes, Sally. 1994. Writing Dancing in the Age of Postmodernism (Hanover: Wesleyan University Press).
- Croce, Arlene. 2005. Writing in the Dark, Dancing in The New Yorker: an Arlene Croce Reader (Florida: University Press of Florida).
- Dance Insider. 2016. http://www.danceinsider.com/
- DanceMedia LLC. 2016. http://dancemagazine.com/
- DanceViewTimes. 2016.
- Denby, Edwin. 1998. Dance Writings and Poetry (New Haven: Yale University Press).
- Financial Times. 2016.
- The Guardian. 2016. http://www.theguardian.com/international.
- The New York Times. 2016.
- Preston-Dunlop, Valerie. 1998. Looking at Dances: A Choreological Perspective.(Ightham: Verve Publishing).
- Selected dance writings of Arlene Croce, Deborah Jowitt, Marcia Siegel, Sanjoy Roy, Judith Mackrell, Luke Jennings, Laura Cappelle, etc.

 
STUDY-UNIT TYPE Lecture, Independent Study, Seminar and Tutorial

 
METHOD OF ASSESSMENT
Assessment Component/s Sept. Asst Session Weighting
Oral and Written Exercises Yes 50%
Examination (2 Hours) Yes 50%

 
LECTURER/S Margherita Borg
Lucia Piquero Alvarez
Deborah Williams

 

 
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The availability of optional units may be subject to timetabling constraints.
Units not attracting a sufficient number of registrations may be withdrawn without notice.
It should be noted that all the information in the description above applies to study-units available during the academic year 2023/4. It may be subject to change in subsequent years.

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