Browsing by Author Erwin, Max (Peer-reviewed)
Showing results 1 to 34 of 34
| Issue Date | Title | Author(s) |
| 2023 | Trond Reinholdtsen - Spätstil : asamisimasa. Aurora, acd5108 | Erwin, Max |
| 2022 | Rubble Music : Occupying the Ruins of Postwar Berlin, 1945-1950 [Book review] | Erwin, Max |
| 2022 | Darmstädter Ferienkurse 2021 | Erwin, Max |
| 2021 | An apprenticeship and its stocktakings : Leibowitz, Boulez, Messiaen, and the discourse and practice of new music | Erwin, Max |
| 2021 | Book review : Lulu et après? | Erwin, Max |
| 2021 | Book review : The Routledge Research Companion to Modernism in Music | Erwin, Max |
| 2021 | Jenna Lyle, TAPE TAPe TApe Tape tape. Jenna Lyle. Parlour Tapes [Album review] | Erwin, Max |
| 2020 | Who is buried in Webern's tomb? Orientations in the reception of serial music from Messiaen to Stockhausen | Erwin, Max |
| 2020 | Bernhard Lang, ParZeFool. Daniel Gloger, Magdalena Anna Hofmann, Wolfgang Bankl, Tómas Tómasson, Arnold Schoenberg Chor, Klangforum Wien, Simone Young. Kairos, 2019. [Album review] | Erwin, Max |
| 2020 | Concert review : Hanna Hartman, Hurricane Season (world premiere, Huddersfield Contemporary Music Festival, 17 November 2019) | Erwin, Max |
| 2020 | Karlheinz Stockhausen, aus LICHT, Holland Festival, 31 May – 10 June 2019 | Erwin, Max |
| 2020 | Pierre Boulez, Philippe Manoury Le Marteau sans maître – B-Partita [Album review] | Erwin, Max |
| 2020 | Herbert Eimert and the Darmstadt school : the consolidation of the avant-garde | Erwin, Max |
| 2019 | Cyberbored/culture-jammed: the short-circuit of musical progress | Erwin, Max |
| 2019 | The making of musical extremism : the monsters and the critics of total serialism | Dane, Joseph; Erwin, Max |
| 2019 | Finnissy’s three-point plans : political agendas and musical enunciations | Erwin, Max |
| 2019 | Marsyas Trio, In the Theatre of Air, NMC D248 | Erwin, Max |
| 2019 | Jörg Widmann, Polyphone Schatten, Drittes Labyrinth. Sarah Wegener, Christophe Desjardins, WDR Sinfonieorchester, Heinz Holliger, Emilio Pomàrico. Wergo, WER73692. [Album review] | Erwin, Max |
| 2019 | Darmstädter Ferienkurse 2018 | Erwin, Max |
| 2019 | Berlin PianoPercussion, Crossing Currents. Telos : TLS227 [Album review] | Erwin, Max |
| 2019 | Stefan Prins : Augmented. Nadar Ensemble, Klangforum Wien, Yaron Deutsch, Stephane Ginsburgh. Kairos [Album review] | Erwin, Max |
| 2019 | Ine Vanoeveren, Tomorrow’s music in practice today : a practical guide towards deciphering contemporary music [Book review] | Erwin, Max |
| 2019 | Roadmap to total control : a critical chronology, work list, and legacy for Herman Van San | Erwin, Max |
| 2019 | Zubin Kanga – Silver Screens / Steel Strings (City University of London, 26 March 2019) | Erwin, Max |
| 2018 | Ryoko Akama, places and pages (Another Timbre) [Album review] | Erwin, Max |
| 2018 | Scott Pfitzinger, Composer genealogies : a compendium of composers, their teachers, and their students [Book Review] | Erwin, Max |
| 2018 | Weekend EP Project : Cohen Elias, d'Heudieres, Tsadka. Bandcamp | Erwin, Max |
| 2018 | Johannes Kreidler, Mein Staat als Freund und Geliebte. Oper Halle | Erwin, Max |
| 2017 | The edifice and the flies, or, the continuing adventures of the worst composers in the world | Erwin, Max |
| 2017 | Wet hot Kranichstein summer : Darmstadt 2016 in review | Erwin, Max |
| 2017 | Diaphonie for orchestra | Erwin, Max; Goeyvaerts, Karel |
| 2017 | Donaueschingen 2017 | Erwin, Max |
| 2017 | KULTURMESSIAH : Patrick Frank and the roads to freedom | Erwin, Max |
| 2016 | Here comes newer despair : an aesthetic primer for the new conceptualism of Johannes Kreidler | Erwin, Max |
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