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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/126968" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/126968</id>
  <updated>2026-08-08T02:01:23Z</updated>
  <dc:date>2026-08-08T02:01:23Z</dc:date>
  <entry>
    <title>Journal of Anglo-Italian Studies : volume 8</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/136089" />
    <author>
      <name>Vassallo, Peter</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/136089</id>
    <updated>2025-06-04T09:11:42Z</updated>
    <published>2006-01-01T00:00:00Z</published>
    <summary type="text">Title: Journal of Anglo-Italian Studies : volume 8
Authors: Vassallo, Peter
Abstract: Table of Contents:; - From Leon Battista Alberti to Jane Austen via Giacomo Leoni and BBC Drama: John Woodhouse; - Absence, Desire and the Female Other in Petrarch and Wyatt: Gloria Lauri Lucente; - Mary Shelley, Anglo-Italicus: Female Self-Assertion and the Politics of Distinction: Maria Schoina; - Presence and Absence in Byron's The Prophecy of Dante: Valeria Tinkler-Villani; - Enchantment and Disenchantment: English Romantic Visions of Italy: Manfred Pfister; - 'A Freak of Freedom:' British travellers to the Republic of San Marino: Maurizio Ascari; - Leigh Hunt in Italy 1822-1825: Nicholas Roe; - 'Walking in the footsteps of the Illustrious Dead:' Nineteenth-century Travellers in Southern Italy: Sharon Ouditt; - Authenticating Italy: Poetry, Tourism and Browning's The Ring and the Book: Christopher M. Keirstead; - 'A real picture of natural and feminine feeling?' Anna Jameson's Diary of an Ennuyee: Kate Walchester; - 'Fashioned from His Opposite:' Yeats, Dante and Shelley: Michael O'Neill; - D. H. Lawrence and the Sicilian myth of Persephone: Peter Vassallo; - Angels and Vagabonds: Breaking through Barriers in the Anglo-Italian Encounter: Sally Collins; - 'Dark juxtaposition' - D. H. Lawrence, Verga and Cultural Difference: Michael Cronin; - Writing the familial past: historical and personal memoir in Sicily and England: Political and Social Reminiscences, 1848-1870 by Tina Scalia Whitaker: Giorgia Alu; - The Romance of Anglo-Italian Studies: Brief Fictions of Francesco Marroni: Allan C. Christensen</summary>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>From Leon Battista Alberti to Jane Austen via Giacomo Leoni and BBC drama</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/129278" />
    <author>
      <name>Woodhouse, John</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/129278</id>
    <updated>2024-11-26T10:06:26Z</updated>
    <published>2006-01-01T00:00:00Z</published>
    <summary type="text">Title: From Leon Battista Alberti to Jane Austen via Giacomo Leoni and BBC drama
Authors: Woodhouse, John
Abstract: Despite the exalted presence in the title of the names of Leon&#xD;
Battista Alberti and Jane Austen, the present paper is fundamentally a&#xD;
plea for greater recognition of the talents and achievements of Giacomo&#xD;
Leoni (1686-1746), as editor of the great Italian humanist, Leon Battista&#xD;
Alberti, as an architect in his own right and as a proselytiser of AngloPalladian&#xD;
architecture. Leoni's English edition of Alberti's great&#xD;
Renaissance treatise On Architecture (1726-29) endured for two and a&#xD;
half centuries, and even now has a strong presence in the only other&#xD;
translation done since that date, Joseph Rykwert's edition of 1988. Leoni&#xD;
helped create and consolidate a taste for Palladian or Anglo-Palladian&#xD;
architecture in England through that edition of Alberti, and through his&#xD;
earlier publication of Andrea Palladio's The Four Books of Architecture&#xD;
(1715-20).</summary>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Absence, desire and the female other in Petrarch and Wyatt</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/129277" />
    <author>
      <name>Lauri Lucente, Gloria</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/129277</id>
    <updated>2024-11-26T09:26:05Z</updated>
    <published>2006-01-01T00:00:00Z</published>
    <summary type="text">Title: Absence, desire and the female other in Petrarch and Wyatt
Authors: Lauri Lucente, Gloria
Abstract: 'Absence gives rise to desire and desire gives rise to the poet's&#xD;
song, but desire itself is never to be fulfilled, never to secure its object.' &#xD;
This thematized model of the origins of the lyric tradition lies at the&#xD;
heart of Francis Petrarch's formulation of the paradigmatic Western idiom&#xD;
of desire as expressed in his Canzoniere. In what follows, I will be&#xD;
focusing on such a formulation and on its appropriation and&#xD;
transformation by Sir Thomas Wyatt, particularly as exemplified in his&#xD;
poems They flee from me and Whoso list to hunt. In examining the&#xD;
interplay between absence and desire, I will attempt to recover the muted&#xD;
voice of the displaced and objectified female figure in both Petrarch's&#xD;
and Wyatt's verse. While acknowledging the appeal of the recovery of&#xD;
the female muted voice in male-authored texts, especially the feminist&#xD;
appropriation, the underlying danger of creating a presence or plenitude&#xD;
which never really existed in the first place will also be considered. The&#xD;
female figure in Petrarch's Canzoniere and in Wyatt's body of verse is,&#xD;
after all, a masculine construct that tells us less about female desire and&#xD;
more about male fantasy.</summary>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Mary Shelley, 𝘈𝘯𝘨𝘭𝘰-𝘐𝘵𝘢𝘭𝘪𝘤𝘶𝘴 : female self-assertion and the politics of distinction</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/129276" />
    <author>
      <name>Schoina, Maria</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/129276</id>
    <updated>2024-11-26T09:14:58Z</updated>
    <published>2006-01-01T00:00:00Z</published>
    <summary type="text">Title: Mary Shelley, 𝘈𝘯𝘨𝘭𝘰-𝘐𝘵𝘢𝘭𝘪𝘤𝘶𝘴 : female self-assertion and the politics of distinction
Authors: Schoina, Maria
Abstract: Written in Genoa a few months after Percy Shelley's death, Mary&#xD;
Shelley's mourning poem The Choice records the speaker's dejection&#xD;
and bereaved condition caused by the tragic loss of her husband and two&#xD;
children while in Italy: 'Here let me cling, here to these solitudes, /These&#xD;
myrtle shaded streams and chestnut woods; I Tear me not hence - here&#xD;
let me live &amp; die,/ In my adopted land, my country, Italy!' The Choice,&#xD;
unsurprisingly, depicts Italy in contradictory and often confusing colours.&#xD;
On the one hand, the country assumes a soothing, almost therapeutic&#xD;
role, on account of the happy memories it evokes, of its natural setting&#xD;
and stimulating environment. On the other hand, Italy looms as an&#xD;
implacable accomplice to the domestic misfortunes and sad destiny which&#xD;
beset the speaker. Italy is cast simultaneously as 'murdress' and healer.</summary>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
  </entry>
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