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  <title>OAR@UM Community:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/140254" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/140254</id>
  <updated>2026-06-19T15:01:27Z</updated>
  <dc:date>2026-06-19T15:01:27Z</dc:date>
  <entry>
    <title>Golden age and Roman land surveying</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/145802" />
    <author>
      <name>Takács, Levente</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/145802</id>
    <updated>2026-04-21T14:01:06Z</updated>
    <published>2019-01-01T00:00:00Z</published>
    <summary type="text">Title: Golden age and Roman land surveying
Authors: Takács, Levente
Abstract: Starting from Hesiod, the myth of an earlier, happy and untroubled period of&#xD;
mankind, the Golden Age, was evoked and rewritten several times in ancient&#xD;
classical literature. All these descriptions of the Golden Age include topoi already&#xD;
present in Hesiod’s work: in fact, the poets of the subsequent period reorganized&#xD;
and reinterpreted the same topoi. In the Golden Age, there were no wars and&#xD;
no discordance, people suffered from no diseases, autotelic profit making was&#xD;
non-existent and, therefore, commercial shipping did not evolve either. There&#xD;
was no need for that anyway because land yielded everything without cultivation,&#xD;
and according to certain hypotheses, it even yielded copiously multiple times a&#xD;
year. [excerpt]</summary>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The ‘lost’ 1751/52 and 1752/3 Collegio romano lectures of Carolo Benvenuti, SJ</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/145783" />
    <author>
      <name>Gatt, Jurgen R.</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/145783</id>
    <updated>2026-04-21T11:58:18Z</updated>
    <published>2019-01-01T00:00:00Z</published>
    <summary type="text">Title: The ‘lost’ 1751/52 and 1752/3 Collegio romano lectures of Carolo Benvenuti, SJ
Authors: Gatt, Jurgen R.
Abstract: Carolo Benvenuti (1716–97) was a Jesuit scholar, a professor of mathematics,&#xD;
physics, metaphysics, and liturgy at the Collegio Romano, who published a&#xD;
series of monographs dealing primarily with mathematics and physics. He was&#xD;
a student of the prolific polymath Ruđer Bošković (1711–81) who also thought&#xD;
mathematics at the Collegio from 1740 to 1750 and again from 1752 to 1760.&#xD;
In 1751/2, when Bošković was involved in measuring the Rome-Rimini median,&#xD;
Benvenuti lectured mathematics in his place. In 1751 too, Benvenuti published&#xD;
his Italian translation of Clairaut’s textbook, Elementi di Geometria, perhaps&#xD;
for the benefit of his students. [excerpt]</summary>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>From Skyros to Paris : the dialectic between the individual and the collective in art influenced by the Graeco-Roman world</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/145703" />
    <author>
      <name>Zammit, Gabriel</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/145703</id>
    <updated>2026-04-16T14:03:50Z</updated>
    <published>2019-01-01T00:00:00Z</published>
    <summary type="text">Title: From Skyros to Paris : the dialectic between the individual and the collective in art influenced by the Graeco-Roman world
Authors: Zammit, Gabriel
Abstract: This essay will investigate the movement of artistic motifs out of the Classical era&#xD;
into Renaissance and Modern art with the intention of examining the possibility&#xD;
of a Platonic root at the source and wellspring of the artistic act. My contention&#xD;
is that artists function towards an absolute located outside historical contingency&#xD;
and rational knowability which is most productively interpreted in a Platonic&#xD;
register. The curvature of this invisible guiding principle becomes apparent&#xD;
when one acquires a synoptic view of the manner in which artistic motifs move&#xD;
through time and are drawn upon in different historical moments. [excerpt]</summary>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The parish archive of Żebbuġ Gozo : a speech delivered on the occasion of the publication of a new book by Prof. H. C. R. Vella</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/145695" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/145695</id>
    <updated>2026-04-16T13:40:32Z</updated>
    <published>2019-01-01T00:00:00Z</published>
    <summary type="text">Title: The parish archive of Żebbuġ Gozo : a speech delivered on the occasion of the publication of a new book by Prof. H. C. R. Vella
Abstract: Today, with a great sense of satisfaction, the Parish of the Assumption of Żebbuġ&#xD;
is presenting to the public two volumes which bring together every type of&#xD;
documentation that it possesses. These books, which carry the name of L-Arkivju&#xD;
Parrokkjali taż-Żebbuġ t’Għawdex are the result of the extraordinary dedication&#xD;
of Professor Horatio Vella, who has been living in this village for a good number&#xD;
of years. [excerpt]</summary>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </entry>
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