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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/141309" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/141309</id>
  <updated>2026-05-07T13:40:34Z</updated>
  <dc:date>2026-05-07T13:40:34Z</dc:date>
  <entry>
    <title>Continuity and change : the curation, modification and reuse of the 15th-century choir stalls in St Paul’s Cathedral, Mdina, Malta  (1625 – 1725)</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/146105" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/146105</id>
    <updated>2026-05-04T11:56:03Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Continuity and change : the curation, modification and reuse of the 15th-century choir stalls in St Paul’s Cathedral, Mdina, Malta  (1625 – 1725)
Abstract: This dissertation investigates the curation, modification, and reuse of the 15th-century choir &#xD;
stalls at St Paul’s Cathedral, Mdina, between 1625 and 1725. The choir was originally &#xD;
completed in 1490 and dismantled in 1876. Less than 10% of the original material of the &#xD;
fragmented stalls survives today, posing significant challenges to scholarly interpretation. &#xD;
Employing an interdisciplinary framework that integrates archival research, material analysis, &#xD;
and visual observation, this study reconstructs the evolution and treatment of the choir during &#xD;
the century under study which was a critical period in the life-history of this artefact.  &#xD;
The research establishes the stalls’ completion date. A hypothesis is presented for their initial &#xD;
configuration, and key modifications are identified, including a previously undocumented &#xD;
relocation in 1626 and the addition of kneelers in 1682. Decorative interventions, such as the &#xD;
replacement of inlaid frames in the late 17th century and the introduction of gilding in the &#xD;
early 18th century, are also analysed.  &#xD;
It is argued that the findings reflect evolving liturgical, aesthetic, and functional priorities. &#xD;
These transformations align with broader Counter-Reformation objectives. They also reveal &#xD;
sustained and deliberate efforts to integrate artefacts from the old Cathedral into the newly &#xD;
reconstructed structure, illustrating a nuanced balance between continuity and innovation. &#xD;
By exploring how successive curation decisions were shaped by the cultural, liturgical, and &#xD;
historical significance of the stalls, this study enriches the discourse on heritage preservation, &#xD;
presenting it as a dynamic negotiation of tangible and intangible values. &#xD;
Despite challenges posed by the stalls’ fragmented state and limited primary sources, this &#xD;
research underscores the efficacy of interdisciplinary approaches in reconstructing &#xD;
fragmented heritage. It recognises the choir stalls as enduring witnesses to Malta’s &#xD;
ecclesiastical and artistic evolution, offering a robust framework for future inquiry into their &#xD;
cultural, political, and religious contexts.
Description: M.A.(Melit.)</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Autistic involvement in enhancing accessibility in archaeological sites</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/141994" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/141994</id>
    <updated>2025-12-05T10:39:20Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Autistic involvement in enhancing accessibility in archaeological sites
Abstract: In recent years, several heritage sites from museums to archaeological sites have begun to &#xD;
implement accessible measures to make them more accessible to disabled people, in line with &#xD;
legislation and international conventions. However, the people that are meant to directly &#xD;
benefit from accessible measures are not often consulted on the design and implementation. &#xD;
The scope of the present study is to investigate what accessibility in archaeological sites &#xD;
would look like from the autistic perspective. A qualitative approach was used to carry out &#xD;
this research. The researcher recruited autistic participants and walked with them around two &#xD;
archaeological sites to assess the features, aspects and experience that are accessible to them &#xD;
as autistic individuals in an unstructured interview. The sites chosen were Ħaġar Qim and &#xD;
Mnajdra Archaeological Park and Għar Dalam. The participants identified several barriers &#xD;
that prevented them from enjoying their experience while walking around the sites. Ħaġar &#xD;
Qim had more barriers than Għar Dalam according to the participants’ responses. These &#xD;
responses were then analysed using thematic analysis. The issues raised included direction &#xD;
and wayfinding, the sensory environment, the participants’ willingness to engage with the &#xD;
site, the shortcomings of accessibility for other people with disabilities as well as &#xD;
recommendations to improve the accessibility at both sites. Each theme is discussed within &#xD;
the context of each site. &#xD;
This research demonstrated the potential for including autistic voices in the discourse of &#xD;
accessibility to cultural heritage. The participants have also suggested solutions to improve &#xD;
accessibility to archaeological sites not just for them but for other disabled people who can &#xD;
benefit from accessible measures, such as reducing noise levels, inputting more tactile and &#xD;
interactive exhibits to explore, better signage and wayfinding, and providing more &#xD;
information that can be easily accessible before visiting the site.
Description: M.A.(Melit.)</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
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