<?xml version="1.0" encoding="UTF-8"?>
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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/39605" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/39605</id>
  <updated>2026-04-16T00:14:38Z</updated>
  <dc:date>2026-04-16T00:14:38Z</dc:date>
  <entry>
    <title>Introducing the newsletter</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/39841" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/39841</id>
    <updated>2020-06-02T06:35:25Z</updated>
    <published>2000-01-01T00:00:00Z</published>
    <summary type="text">Title: Introducing the newsletter
Abstract: The Baroque Routes perhaps represent the most eminently European cultural&#xD;
movement of early modern history. By acknowledging and attempting to revive this&#xD;
movement through research and other activities, the Council of Europe has literally&#xD;
resurrected the spirit of Baroque Europe - a spirit which contributed in no small way&#xD;
to an elegant form of living in urban and rural environments which are still there to be&#xD;
admired and lived in today. Understandably, a number of countries have since 1996&#xD;
responded generously to the Baroque Routes initiative of the Council of Europe by&#xD;
organizing exhibitions, conferences, concerts of baroque music and even by&#xD;
producing high quality publications on specialist subjects or general themes, such as&#xD;
guidebooks to important baroque monuments in cities as far apart as Valletta and&#xD;
Vilnius. These Council of Europe events have shown the wonderful interaction,&#xD;
indeed interweaving, of several different European expressions during that period of&#xD;
time between the last third of the sixteenth century and the second third of the&#xD;
eighteenth century.</summary>
    <dc:date>2000-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Facade decorating techniques</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/39839" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/39839</id>
    <updated>2020-06-02T06:33:02Z</updated>
    <published>2000-01-01T00:00:00Z</published>
    <summary type="text">Title: Facade decorating techniques
Abstract: The idea for the project 'Facade Decorating Techniques' germinated at the Austrian&#xD;
Conference for the Conservation and Preservation of Cultural Heritage in September&#xD;
1997. Among those invited were also representatives from Bavaria, Slovenia and the&#xD;
Czech Republic. Discussions had revealed that there was still a good deal to clarify in&#xD;
the preparation phase of various restoration measures that were to be carried out in&#xD;
1998. Therefore, it was agreed to discuss and clear up these questions, which after all&#xD;
were of general conservational interest within the framework of a Raphael Project.</summary>
    <dc:date>2000-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Baroque, between heaven and earth</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/39838" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/39838</id>
    <updated>2020-06-02T06:29:02Z</updated>
    <published>2000-01-01T00:00:00Z</published>
    <summary type="text">Title: The Baroque, between heaven and earth
Abstract: The Baroque is a movement which is generally considered to have begun in the last&#xD;
third of the sixteenth century and to have ended in the mid eighteenth covering the&#xD;
period between classicism and neo-classicism. During this period, however, the&#xD;
Baroque civilisation expressed itself in a multitude of different styles and forms,&#xD;
whether in artistic, philosophical or social terms. To perceive the movement's relative unity, it is therefore necessary to understand that it emerged at the end of a dark, troubled century, one in which human values had gone astray and people had lost their ideological references.
Description: This paper has been reproduced from the publication European&#xD;
Cultural Routes edited by Giovanni Mangion and Isabel Tamen (Council of&#xD;
Europe, 1998)</summary>
    <dc:date>2000-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Baroque routes : a brief record of activities</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/39836" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/39836</id>
    <updated>2020-06-02T06:25:39Z</updated>
    <published>2000-01-01T00:00:00Z</published>
    <summary type="text">Title: The Baroque routes : a brief record of activities
Abstract: A brief record of activities with regard to the Baroque routes in Europe is outlined, including seminars, projects, concerts, conferences, book launches and exhibitions.</summary>
    <dc:date>2000-01-01T00:00:00Z</dc:date>
  </entry>
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