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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/41132" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/41132</id>
  <updated>2026-04-15T08:15:18Z</updated>
  <dc:date>2026-04-15T08:15:18Z</dc:date>
  <entry>
    <title>Melita Theologica : volume 34 : issue 1-2</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/32678" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/32678</id>
    <updated>2018-08-15T01:33:41Z</updated>
    <published>1983-01-01T00:00:00Z</published>
    <summary type="text">Title: Melita Theologica : volume 34 : issue 1-2
Abstract: 1/BEZZINA, J. - Le iconi della Madonna a Roma fino al secolo X -- 2/AZZOPARDI, J. - Pagan and christian elements in "King Lear" -- 3/CASSAR, C. - Reconciliation in Christ and Mary, mother of reconciliation -- 4/SHIELDS, V. - Religious freedom: doctrinal development in Vatican II -- 5/PENASKOVIC, R. - Rethinking Christianity’s claim to absoluteness -- 6/MONDIN, B. - Values, culture, religion</summary>
    <dc:date>1983-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Le iconi della Madonna a Roma fino al secolo X</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/32675" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/32675</id>
    <updated>2018-08-15T01:33:51Z</updated>
    <published>1983-01-01T00:00:00Z</published>
    <summary type="text">Title: Le iconi della Madonna a Roma fino al secolo X
Abstract: "Volendo creare un'immagine della bellezza assoluta e manifestare&#xD;
chiaramente agli uomini e agli angeli la potenza della sua arte, Dio ha fatto&#xD;
veramente Maria tutta bella. Egli ha riunito in Lei le bellezze particolari&#xD;
distribuite alle altre creature e l'ha costituita il comune ornamento di tutti&#xD;
gli altri esseri visibili e invisibili; o piuttosto, ha fatto di Lei come un&#xD;
miscuglio di tutte le perfezioni divine, angeliche e umane, una bellezza&#xD;
sublime che abbellisce i due mondi, che si eleva dalla terra fino al cielo e che&#xD;
sorpassa anche quest'ultimo".</summary>
    <dc:date>1983-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Pagan and christian elements in "King Lear"</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/32674" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/32674</id>
    <updated>2018-08-15T01:33:44Z</updated>
    <published>1983-01-01T00:00:00Z</published>
    <summary type="text">Title: Pagan and christian elements in "King Lear"
Abstract: King Lear is the climax of Shakespearean tragedy. It is also the best&#xD;
transition play between the tragedies and the last plays. In King Lear we&#xD;
have the work of a mature poet and dramatist, such that if we may find&#xD;
Shakespeare's settled opinion on our subject in anyone play it is best to&#xD;
look for it, I think, in King Lear. Aristotle gave greater weight to tragedy&#xD;
than to history because tragedy deals with universals, history with&#xD;
particulars. Though a tragedy could be constructed on a single tragic event,&#xD;
the Elizabethan no less than the Greek playwright sought to penetrate to the&#xD;
universal world of guilt, passion and justice. In King Lear we witness the&#xD;
actions not of ancient Britons, but of humanity; we see not England, but the&#xD;
world. Both Greek and Elizabethan tragedy had religious origins;&#xD;
speculation on the ways of God to men was, therefore, an intrinsic part in&#xD;
them. The moralities were contemporary with the early Elizabethan drama&#xD;
so that the religious element in tragedy was not foreign. King Lear is in&#xD;
many ways a religious play,more than Hamlet or Macbeth. Shakespeare's&#xD;
other equally religious play is Measure for Measure.</summary>
    <dc:date>1983-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Reconciliation in Christ and Mary, mother of reconciliation</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/32673" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/32673</id>
    <updated>2018-08-15T01:33:56Z</updated>
    <published>1983-01-01T00:00:00Z</published>
    <summary type="text">Title: Reconciliation in Christ and Mary, mother of reconciliation
Abstract: At the dawn of the Christian era, the inhabitants of Malta welcomed in&#xD;
their midst two great exponents of the Christian faith. They welcomed Paul,&#xD;
&#xD;
the Apostle of the Gentiles, who brought with him "the word of reconciliation", and they greeted Luke, Paul's fellow-worker and Christianity's first&#xD;
&#xD;
Marian doctor.&#xD;
Today Malta is welcoming numerous other distinguished visitors. They&#xD;
come from many countries on the footsteps of Paul and Luke to honour&#xD;
Mary, Mother of reconciliation. The Church which is in Malta welcomes&#xD;
them as brethren in the faith and joins them in praying for reconciliation at&#xD;
home and abroad.</summary>
    <dc:date>1983-01-01T00:00:00Z</dc:date>
  </entry>
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