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  <title>OAR@UM Community:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/4674" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/4674</id>
  <updated>2026-09-02T17:05:16Z</updated>
  <dc:date>2026-09-02T17:05:16Z</dc:date>
  <entry>
    <title>A dystopia 'far more deeply interfused' : Reminiscing on Roderick Camilleri's 'Memoirs From The Future'</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/148872" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/148872</id>
    <updated>2026-09-02T09:18:08Z</updated>
    <published>2025-04-13T00:00:00Z</published>
    <summary type="text">Title: A dystopia 'far more deeply interfused' : Reminiscing on Roderick Camilleri's 'Memoirs From The Future'
Abstract: The article reviews artist Roderick Camilleri's printmaking exhibition Memoirs From The Future at MUŻA. It analyzes the exhibition's dystopian themes, symbolized through anonymous figures wearing gas masks and elevated on stilts, to examine humanity's increasing schism with nature, the influences of expressionism, and the societal impact of digital technology, culture, and algorithmic loops.</summary>
    <dc:date>2025-04-13T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Inside Girolamo Gianni's Valletta</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/148798" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/148798</id>
    <updated>2026-08-31T10:12:14Z</updated>
    <published>2025-08-24T00:00:00Z</published>
    <summary type="text">Title: Inside Girolamo Gianni's Valletta
Abstract: The article analyzes a 19th-century cityscape of Valletta by Neapolitan artist Girolamo Gianni, focusing on its depiction of key landmarks such as the 1853 Porta Reale and the Royal Opera House. It discusses Gianni's artistic style, his business presence in Strada Reale, the influence of the Neapolitan School of Posillipo, and how his works captured 19th-century Maltese urban life under British rule alongside the rise of photography.</summary>
    <dc:date>2025-08-24T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Conservation of Zahra's The Sacred Heart of Jesus at Senglea basilica</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/148797" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/148797</id>
    <updated>2026-08-31T10:10:26Z</updated>
    <published>2025-02-16T00:00:00Z</published>
    <summary type="text">Title: Conservation of Zahra's The Sacred Heart of Jesus at Senglea basilica
Abstract: The article details the historical background, attribution, and restoration of an 18th-century oil-on-wood tabernacle door depicting the Sacred Heart of Jesus at the Basilica of the Nativity of Mary in Senglea. It discusses the artwork's attribution to Francesco Zahra, its iconographical features, and the conservation process undertaken by ASC Conservation Centre Ltd, which uncovered original details previously obscured by overpaint.</summary>
    <dc:date>2025-02-16T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>St John the Evangelist altar at St Paul collegiate basilica, Rabat, restored</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/148795" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/148795</id>
    <updated>2026-08-31T10:08:49Z</updated>
    <published>2025-06-15T00:00:00Z</published>
    <summary type="text">Title: St John the Evangelist altar at St Paul collegiate basilica, Rabat, restored
Abstract: The article discusses the historical background and restoration of the artworks at the altar of St John the Evangelist in the St Paul collegiate basilica, Rabat. It outlines early church documentation, the background of the paintings, and the conservation processes used to treat and restore the damaged artworks.</summary>
    <dc:date>2025-06-15T00:00:00Z</dc:date>
  </entry>
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