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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49292" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/49292</id>
  <updated>2026-04-11T14:21:05Z</updated>
  <dc:date>2026-04-11T14:21:05Z</dc:date>
  <entry>
    <title>The work of art in the age of global culture : theory and practice</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49366" />
    <author>
      <name>Grech, John</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49366</id>
    <updated>2019-12-08T06:11:54Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: The work of art in the age of global culture : theory and practice
Authors: Grech, John
Abstract: This Thesis looks at two films by Wim Wenders with a view of examining how they represent the 'global city.' This thesis is not an examination of the films representation of 'the city' per se, but a consideration of the process of engagement between the films and the individual. The objective is to examine how viewers of the films engage with the cinematic process so as to enhance their awareness of and participation in the formation of the global city. By considering the role the films play in this process. I speculate on the continuing role of the work of art in the age of global culture. The scope of this Thesis is provided by two films about Berlin by Wenders. The Thesis explicates how these films aid their viewer to participate in the global city. The Thesis extrapolates three different levels of abstraction in its analysis: 1) at an empirical level by analysing the films; 2) at an historical and social level by analysing the city and citizenship; and 3) at a cultural level by analysing the role art can play in society today.</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Living with the dead : Sharkfeed and the extending ontologies of new media</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49312" />
    <author>
      <name>Grech, John</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49312</id>
    <updated>2019-12-08T06:11:48Z</updated>
    <published>2002-08-01T00:00:00Z</published>
    <summary type="text">Title: Living with the dead : Sharkfeed and the extending ontologies of new media
Authors: Grech, John
Abstract: This article examines how new media are helping to actualise new forms of “being” and “knowing” by mixing realities of the virtual and the real. The blending of archival and contemporary material in a Web installation called Sharkfeed provides a context for this discussion. Themes such as death, memory, past and present, and mind and body provide the critical fissures through which to move beyond older theoretical paradigms and examine the emerging possibilities of the social particularities and cultural practices engendered in the interconnected time spaces of a digital era.</summary>
    <dc:date>2002-08-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Empty space and the city : the reoccupation of Berlin</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49304" />
    <author>
      <name>Grech, John</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49304</id>
    <updated>2020-06-21T05:13:34Z</updated>
    <published>2002-05-13T00:00:00Z</published>
    <summary type="text">Title: Empty space and the city : the reoccupation of Berlin
Authors: Grech, John
Abstract: Individuals of foreign origins, the migrant and the tourist are considered, alongside that of a citizen in an analytical synthesis to examine how people occupy space in the city these days. It aims at displacing fixed notions of time-space, here-there, past-present, in-out as part of a larger, ongoing search for a sense of belonging.</summary>
    <dc:date>2002-05-13T00:00:00Z</dc:date>
  </entry>
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