<?xml version="1.0" encoding="UTF-8"?>
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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/50515" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/50515</id>
  <updated>2026-05-02T05:32:08Z</updated>
  <dc:date>2026-05-02T05:32:08Z</dc:date>
  <entry>
    <title>Malta Archaeological Review, Issue 6</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/50113" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/50113</id>
    <updated>2020-01-15T08:43:24Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Malta Archaeological Review, Issue 6
Editors: Camilleri, Patricia
Abstract: Malta Archaeological Review, Issue 6 (2002/2003)
Description: Includes : From the President / Antony de Bono - Society Activities - Review of publication by Brunella Bruno / Anthony Bonanno - List of Contributors</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Traditional boats of Malta</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49645" />
    <author>
      <name>Muscat, Joseph</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49645</id>
    <updated>2025-12-29T07:36:03Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Traditional boats of Malta
Authors: Muscat, Joseph
Abstract: Around the shores of the Maltese Islands, one&#xD;
can see various small, working boats which&#xD;
developed over a period of hundreds of years.&#xD;
When we refer to the traditional boats of Malta&#xD;
we refer to the five that have survived and which&#xD;
show the same constructional characteristics. It&#xD;
is interesting to note that one may come across&#xD;
certain local boats which originated after 1800&#xD;
with the introduction of British rule in Malta&#xD;
but which do not comply with the traditional&#xD;
characteristics .</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The lyre player in Roman Malta</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49644" />
    <author>
      <name>Borg Cardona, Anna</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49644</id>
    <updated>2020-01-15T10:00:54Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: The lyre player in Roman Malta
Authors: Borg Cardona, Anna
Abstract: All knowledge we have of music-making&#xD;
in the Roman period is based on literary or&#xD;
iconographic sources, and occasionally on&#xD;
extant musical instruments. Evidence shows&#xD;
that music was an integral .part of festivals,&#xD;
religious rituals, ceremonies, social occasions&#xD;
as well as military life and thus a very important&#xD;
part of a wide spectrum of Roman life.&#xD;
Roman culture was transported to each of&#xD;
the Empire's conquered lands, and one would&#xD;
expect the same to have happened sooner or&#xD;
later in Malta.&#xD;
Little is, in fact, known of musical life&#xD;
on the Maltese islands under Roman rule, a&#xD;
period spanning between 218B.C.and 535A.D. Large-scale theatres in which music would&#xD;
have played a major part, have not been&#xD;
discovered in Malta or in Gozo. However, this&#xD;
does not exclude the possibility of dramatic&#xD;
and musical performances taking place on the&#xD;
Islands either in some form of public theatre or&#xD;
in small private areas reserved for the purpose.&#xD;
We do find remains or iconographic evidence&#xD;
of various types of instruments, amongst them&#xD;
representatives of the string, wind and percussion&#xD;
type, indicating a local society with some degree&#xD;
of musical interest. This article concentrates on&#xD;
an archaeological find which sheds interesting&#xD;
light on one type of musical instrument which&#xD;
used to be heard in Roman Malta.</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Maritime archaeology in the Mediterranean</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/49633" />
    <author>
      <name>Parker, A.J.</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/49633</id>
    <updated>2020-01-15T10:01:13Z</updated>
    <published>2005-01-01T00:00:00Z</published>
    <summary type="text">Title: Maritime archaeology in the Mediterranean
Authors: Parker, A.J.
Abstract: The archaeological study of the Mediterranean&#xD;
sea and its coasts is, for the most part, thought&#xD;
of as underwater archaeology, and the history&#xD;
of maritime archaeology in the Mediterranean&#xD;
has conventionally been conceived as the&#xD;
story of underwater exploration. However,&#xD;
the discipline of archaeology as a whole has&#xD;
continued to develop, and the concern with&#xD;
conceptual issues which has characterized&#xD;
much archaeological scholarship in recent&#xD;
years is having an effect on the study of cultural&#xD;
remains found, not just on land, but in the sea as&#xD;
well. This paper will start with a brief review&#xD;
of the history of maritime archaeology in the&#xD;
Mediterranean region, and proceed to consider&#xD;
some of the new approaches which promise to&#xD;
deliver stimulating insights into the function&#xD;
of the sea and the role of seafarers during&#xD;
prehistoric and historic times.</summary>
    <dc:date>2005-01-01T00:00:00Z</dc:date>
  </entry>
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