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  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/56577" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/56577</id>
  <updated>2026-04-09T22:41:57Z</updated>
  <dc:date>2026-04-09T22:41:57Z</dc:date>
  <entry>
    <title>Thalassic lessons : pedagogical aesthetics and the Mediterranean</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/56828" />
    <author>
      <name>Baldacchino, John</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/56828</id>
    <updated>2020-05-31T05:22:23Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Thalassic lessons : pedagogical aesthetics and the Mediterranean
Authors: Baldacchino, John
Abstract: With some trepidation the poets plead to their sea. Their only hope is that the sea—&#xD;
the thalassa—offers a lesson. This expectation exudes a sense of liturgy and&#xD;
sacrifice. Not unlike a presbyter, the poet’s ritual seeks to mediate the world with&#xD;
the myriad singular experiences that make it.&#xD;
Heinrich Heine demands an answer from the North Sea by recalling the gods of&#xD;
Hellas in an effort to resurrect its ability to conjoin death with life. He is the&#xD;
presbyter who demands most. In contrast, in the presence of his sea, Montale sees&#xD;
himself as a mere mortal. He could only engage in a strange rhythm as he carefully&#xD;
traces back his upbringing along the Mediterranean coast. In the cycle of poems&#xD;
Mediterraneo Montale-the-poet encounters the limits of Montale-the-man. His&#xD;
liturgy happens every day, as it struggles with his poetic craft, looking for&#xD;
appropriate words that would somehow represent his bewildered sense of loss, fear&#xD;
and desolation as an individual. Overwhelmed by a presence that far exceeds what&#xD;
the brain thinks or his voice could utter, Montale-the-man is reconciled with&#xD;
Montale-the-poet by surrendering in a “struggling rhythm” to the limits of what the&#xD;
rest of his senses could feel, taste and hear in a sea that portends the weight of&#xD;
universality.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Translating the ‘Mediterraneans’ : art, education and understanding ‘between the lands’</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/56822" />
    <author>
      <name>Vella, Raphael</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/56822</id>
    <updated>2020-05-31T05:22:29Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Translating the ‘Mediterraneans’ : art, education and understanding ‘between the lands’
Authors: Vella, Raphael
Abstract: Known in English and the romance languages as the sea ‘between the lands’,&#xD;
the Mediterranean goes and has gone by many names: ‘Our Sea’ for the&#xD;
Romans, the White Sea (Akdeniz) for the Turks, the ‘Great Sea’ (Yam gadol)&#xD;
for the Jews, the ‘Middle Sea’ (Mittelmeer) for the Germans, and more&#xD;
doubtfully the ‘Great Green’ of the ancient Egyptians. Modern writers have&#xD;
added to the vocabulary, coining epithets such as the ‘Inner Sea’, the&#xD;
‘Encircled Sea’, the ‘Friendly Sea’, the ‘Faithful Sea’ of several religions, the&#xD;
‘Bitter Sea’ of the Second World War, the ‘Corrupting Sea’ of dozens of&#xD;
micro-ecologies transformed by their relationship with neighbours who&#xD;
supply what they lack, and to which they can offer their own surpluses; the&#xD;
‘Liquid Continent’ that, like a real continent, embraces many peoples,&#xD;
cultures and economies within a space with precise edges. (Abulafia 2011, p.&#xD;
xxiii)</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Khora, topos and praxis : diverse concepts and meanings of contemporary art education</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/56778" />
    <author>
      <name>Savva, Andri</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/56778</id>
    <updated>2020-05-31T05:21:30Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Khora, topos and praxis : diverse concepts and meanings of contemporary art education
Authors: Savva, Andri
Abstract: Khôra (meaning space) and topos (meaning place)xviii could be described as&#xD;
concepts with multiple and diverse meanings in which personal, social-cultural,&#xD;
historical, and aesthetic dimensions coexist. It seems that no single theory or&#xD;
conceptualisation could exhaust the diversely rich implication of these concepts,&#xD;
especially in what might inform art education theory and research. This seems to&#xD;
remain the case even when most scholars who have done extensive studies of the&#xD;
concept of place (as being khôra and/or topos) would possibly agree that&#xD;
understanding the multiple meanings of such concepts is key to understanding&#xD;
wider concepts about the world, including: our relationships with ourselves, with&#xD;
each other (across generations, distances, cultures) and with our surroundings.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Disinheriting the heritage and the case of Pauliteiras : young girls as newcomers in a traditional dance from the northeast of Portugal</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/56777" />
    <author>
      <name>Marques Da Silva, Sofia</name>
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/56777</id>
    <updated>2020-05-31T05:21:14Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Title: Disinheriting the heritage and the case of Pauliteiras : young girls as newcomers in a traditional dance from the northeast of Portugal
Authors: Marques Da Silva, Sofia
Abstract: In an article entitled “La Méditerranée oubliée”, Jean-François Devret (2003) holds&#xD;
that there is a southern feeling of dissymmety and even deception arising from&#xD;
growing contrasts in society and economy. Within Southern and Mediterranean&#xD;
regions there are, however, other dissymmetries reinforcing the major ones. Those&#xD;
dissymmetries are being experienced and are happening in everyday lives, namely&#xD;
in young people’s lives, and they bear witness to deep inequalities at social,&#xD;
cultural, economical and regional levels.&#xD;
Portugal has been considered as a semi-peripheral context “which is a reference&#xD;
to the existence of socio-cultural and economic features that are typical of an&#xD;
intermediate level of development” (Rodrigues &amp; Stoer 2001, p. 134).</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
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