<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>OAR@UM Collection:</title>
  <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/63531" />
  <subtitle />
  <id>https://www.um.edu.mt/library/oar/handle/123456789/63531</id>
  <updated>2026-04-27T07:45:16Z</updated>
  <dc:date>2026-04-27T07:45:16Z</dc:date>
  <entry>
    <title>Half-dreaming phantomwise : exploring visual (re)presentations of the Quixotic ‘melancholy farewell’ moment in ‘Through the Looking-Glass and What Alice Found There’</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/84948" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/84948</id>
    <updated>2024-05-07T13:25:58Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Half-dreaming phantomwise : exploring visual (re)presentations of the Quixotic ‘melancholy farewell’ moment in ‘Through the Looking-Glass and What Alice Found There’
Abstract: Via practical application, this research explores the possibility of adapting Lewis Carroll’s “melancholy farewell” moment in a multimedia fine art context. It is a search for possibilities in extracting an arts-based methodology from the metaphoric-metonymic trope of metamorphosis applied within the specific text to&#xD;
create a series of contemporary visual artworks. In this episode, from Through the Looking-Glass and What Alice Found There (1871), the legacy of Don Quixote not only appears signicant in its destabilizing, satirical narrative style but emphasized in the heroic personification of the White Knight whose perpetual farewell haunts multiple dimensions. The purpose of this thesis is to create visual representations of these Quixotic dimensions by enquiring into seemingly disparate discourses such as error, nuclear calamity, virtual&#xD;
reality, and interspecific hybridity. This dissertation is concerned with making and, also, with considerations of artistic precedents and sources, the drawing of analogies with other disciplines and media. It engages, analyzes, and discusses various aspects of flux, transformations, and transcendence in this Alice fragment influenced by a framework of theoretically informed readings. It investigates the implications and consequences of such questioning and the way in which identity is constructed through vision and&#xD;
perception on structuring concepts such as humanity (as opposed to non-human sentient beings), language, faith, time, space, the precariousness of childhood, and the rules of logic. A Quixotic endeavour per se, the path of this cross-media exploration weaves a thread from engagements with these related themes in contemporary literature and art, back to the first known visual representations found in cave art.
Description: PH.D.DIGITAL ARTS</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Moral cognition in males and females : an analysis of white matter tracts underlying grey matter areas related to morality</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/74457" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/74457</id>
    <updated>2021-04-23T10:37:34Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Moral cognition in males and females : an analysis of white matter tracts underlying grey matter areas related to morality
Abstract: Studies investigating moral cognition have generally focused on grey matter activations&#xD;
obtained from neuroimaging studies, however there is a gap in the literature investigating the&#xD;
white matter fibre pathways underlying these grey matter areas related to morality. For this&#xD;
reason, this study investigated the fibre pathways underlying the functional areas associated&#xD;
with moral cognition and examined whether there are any significant sex differences in fibre&#xD;
metrics of these pathways. In this study, these white matter fibre pathways are referred to as&#xD;
‘moral connectome’. Results from the automated meta-analysis mainly show an activation in&#xD;
the vmPFC extending to the OFC, mPFC, dmPFC, TPJp, PCC, the bilateral TP, the bilateral&#xD;
MTL, the left pars opercularis of IFG, and parts of the precuneus. The moral connectome&#xD;
underlying these functional areas were found to be the cingulum (bilateral), forceps minor, the&#xD;
fornix and the extreme and external capsule. As findings about sex differences in white matter&#xD;
areas are inconsistent, this study further investigated sex differences in the moral connectome&#xD;
by performing a fixel-based analysis to compare different fibre metrics between males and&#xD;
females. The findings showed no significant sex differences in the fibre metrics of the moral&#xD;
connectome, once the results were corrected for brain volume per subject. Therefore, this study&#xD;
shows no evidence for sex differences in white matter over and above that explained by brain&#xD;
size.
Description: M.SC.COGNITIVE SCIENCE</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Ensemble coding of the average crowd speed using biological motion</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/74404" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/74404</id>
    <updated>2021-04-22T12:36:32Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Ensemble coding of the average crowd speed using biological motion
Abstract: Perception of human crowds is integral to social understanding and interaction.&#xD;
Previous studies have shown that observers could accurately estimate the average facial&#xD;
expression, gender, family resemblance, joint attention, and heading direction of a crowd (for&#xD;
a review, see Whitney &amp; Yamanashi Leib, 2018). The ability of extract summary statistics&#xD;
globally from a set of multiple features or objects has been term ensemble perception, a visual&#xD;
phenomenon which can occur rapidly and bypass the need to register local information of set&#xD;
members. The robustness and near automaticity of ensemble perception has sparked an&#xD;
ongoing debate as to how information of high-level social representations can be integrated.&#xD;
The parallel processing hypothesis proposes that multiple features are automatically integrated&#xD;
in parallel under distributed attention to form an ensemble percept (Treisman, 2006). The serial&#xD;
processing account argues that only a few set members are inspected in a serial manner within&#xD;
the capacity of visual memory and focused attention to compute summary statistics (Myczek&#xD;
&amp; Simons, 2008). The current study examines ensemble perception of crowd speeds and&#xD;
addresses the parallel/serial processing debate using standard point-light walkers (Johansson,&#xD;
1973). In the first experiment, it was found that observers could reliably and accurately estimate&#xD;
the average speed of a crowd. Ensemble processing of crowd speed could rely on local motion&#xD;
alone, however, the global percept of the human form enhanced all aspects of performance&#xD;
including precision, accuracy, and response time. The second experiment established that&#xD;
ensemble speed could be formed under rapid viewing duration, although speed estimation of&#xD;
slow crowds was less reliable and accurate than that of fast crowds. The efficiency of crowd&#xD;
speed perception was examined using an ideal observer analysis. This simulation revealed that&#xD;
only 2-3 walkers were integrated in rapid ensemble processing of slow crowds while 4-5&#xD;
walkers were integrated in rapid ensemble processing of fast crowds. Together, these findings&#xD;
suggest that perception of average crowd speed may be a hybrid case of parallel and serial processing mechanisms and the degree to which observers can process high-level&#xD;
representations in parallel may depend on the spatiotemporal properties of actual stimulus&#xD;
speed. The study contributes to the current literature of ensemble processing of complex social&#xD;
characteristics, as well as provides the basic understanding in crowd speed perception. Such&#xD;
knowledge can be valuable to several real-world applications in public planning and&#xD;
monitoring of human crowds.
Description: M.SC.COGNITIVE SCIENCE</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Investigating the relationship between production and perception of epenthetic glottal stops in the case of Maltese</title>
    <link rel="alternate" href="https://www.um.edu.mt/library/oar/handle/123456789/74313" />
    <author>
      <name />
    </author>
    <id>https://www.um.edu.mt/library/oar/handle/123456789/74313</id>
    <updated>2021-04-22T05:06:26Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Investigating the relationship between production and perception of epenthetic glottal stops in the case of Maltese
Abstract: The Maltese language, like many other languages, marks vowel-initial words with a glottal&#xD;
stop. In the case of Maltese, this epenthetic segment occurs separately as a separate phoneme,&#xD;
with the potential for ambiguity due to words becoming homophonous. In a series of two&#xD;
experiments, we tried to investigate whether the underlying functions of such epenthetic&#xD;
glottal stop is constrained by matters of audience design. Our first experiment laid important&#xD;
grounds upon which we were to interpret the findings from the second experiment, because it&#xD;
provided us with descriptive evidence that Maltese listeners do not possess an a-priori&#xD;
preference to words with or without an underlying glottal stop, hence implying that the result&#xD;
from the production experiment occurred was not constrained by a baseline preference for&#xD;
one of the forms. This was done by a simple procedure, where participants had to rate the&#xD;
auditory stimuli they were exposed to, on a 7-point scale. The stimuli contained an even&#xD;
frequency of words with and without glottal stops. Our second experiment found a stark&#xD;
difference between the two main conditions, accented and unaccented. This was done by&#xD;
having participants participating in a simple question-answer experiment. Participants had to&#xD;
answer written questions by reading another written answer, placing strategic emphasis as&#xD;
indicated in the trials. More glottal stop productions occurred in the accented condition than&#xD;
in the unaccented condition. Furthermore, as opposed to listener-oriented paradigms, we&#xD;
found more glottal stop productions in the phonological contrast of the accented condition&#xD;
than in the lexical, suggesting that speakers do not modulate their efforts in favor of the&#xD;
listener when producing the epenthetic glottal stop.
Description: M.SC.COGNITIVE SCIENCE</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
</feed>

