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    <title>OAR@UM Collection:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/141640</link>
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        <rdf:li rdf:resource="https://www.um.edu.mt/library/oar/handle/123456789/141651" />
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    <dc:date>2026-04-15T05:29:39Z</dc:date>
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  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/141741">
    <title>A lemmatic commentary of Aeschylus, Agamemnon L.281-316</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/141741</link>
    <description>Title: A lemmatic commentary of Aeschylus, Agamemnon L.281-316
Authors: Gatt, Jurgen R.
Abstract: Clytemnestra's 'beacon-speech' is a 31-verse long speech which&#xD;
'catalogues' the geographical sites of a series of beacons, lit in sequence&#xD;
upon the capture of Troy, starting at Mt. Ida and ending on the roof of&#xD;
Atreus' palace in Argos. It represents the first substantial monologue&#xD;
delivered by Clytemnestra in Aeschylus' play. The speech is foreshadowed&#xD;
by the opening of the Agamemnon in which the appearance of the last&#xD;
beacon-fire signals Troy's capitulation. The guard, who appears first on&#xD;
stage, is also the last of a long series of watchmen. His speech shares some&#xD;
of its diction and imagery with Clytemnestra's beacon-speech, as shall be discussed below. The chorus' first intimation of Clytemnestra's news is the burning of sacrifices at the city's altars and their first reaction to it is&#xD;
incomprehension and sheer incredulity. Indeed, prior to Clytemnestra's&#xD;
speech, the appearance of a light shining across the Aegean from Troy&#xD;
and signalling the fall of a distant city does beggar belief. [excerpt]</description>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/141699">
    <title>On the Latin introduction to Caxaro's Cantilena</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/141699</link>
    <description>Title: On the Latin introduction to Caxaro's Cantilena
Authors: Bonnici, Victor
Abstract: On the 22nd of September 1966, Fr Michael Fsadni and Dr Godfrey&#xD;
Wettinger discovered a cantilena of twenty lines in Medieval Maltese,&#xD;
divided into three stanzas of six, four and ten verses respectively, the whole&#xD;
of which was preceded by five lines of Latin by way of an introduction.&#xD;
The importance of such a discovery of written Maltese - and that in&#xD;
the literary genre of lyric - cannot be underestimated both for the study&#xD;
of the developing language itself and for the status of an emerging nation.&#xD;
The nation's laurels and gratitude bestowed upon these two researchers&#xD;
were truly merited considering that they were the first who identified&#xD;
the cantilena for what it really was, and for publishing an in-depth study&#xD;
of it in the context of its historic background, having first thoroughly&#xD;
researched it in strict accordance to academic disciples.</description>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/141651">
    <title>"Hopeful that Aeschylus will not turn in his grave!"</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/141651</link>
    <description>Title: "Hopeful that Aeschylus will not turn in his grave!"
Authors: Serracino, Carmel
Abstract: The run-up to the B. I. Players' production of Aeschylus' Agamemnon, in&#xD;
March 1950 at the British Institute in Valletta, Malta, was characterized&#xD;
by some vigourous advertisement on the Times of Malta.  On 9 March,&#xD;
the paper published a promotional article by Michael Kissaun, revealing&#xD;
inter alia that correspondence relative to the representation had taken&#xD;
place between the co-producer and director of the production, Major&#xD;
Alec Cathcart Bruce, and the translator of the version that was being&#xD;
staged, Professor Gilbert Murray.</description>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/141650">
    <title>Sound, word and meaning - Sanskrit and the Classics</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/141650</link>
    <description>Title: Sound, word and meaning - Sanskrit and the Classics
Authors: Zammit, Maria
Abstract: The great family of Indo-European languages which are understood to&#xD;
have been spoken in the land of India, and of which Vedic Sanskrit is the&#xD;
Indian branch, existed as far back as the middle of the second millennium&#xD;
B.C. The Vedic language prevailed across a millennium and stretched over&#xD;
a vast area, the lndo-Gangetic plain. Only from the third century B.C.&#xD;
were the various Inda-Aryan speeches documented for us by inscription&#xD;
of the emperor Asoka. When the great grammarian Panini standardized&#xD;
the Sanskrit language at around this time, Sanskrit became the language&#xD;
of a vast outpouring of artistic, scientific, poetic and philosophical&#xD;
expression.</description>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
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