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    <title>OAR@UM Community:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/25415</link>
    <description />
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        <rdf:li rdf:resource="https://www.um.edu.mt/library/oar/handle/123456789/25571" />
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    <dc:date>2026-04-14T03:54:58Z</dc:date>
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  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/25571">
    <title>Hyphen : Volume 7, Number 3</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/25571</link>
    <description>Title: Hyphen : Volume 7, Number 3
Editors: Mallia-Milanes, Victor; Scerri, Louis J.; Zammit Ciantar, Joe; Caruana Carabez, Charles
Abstract: Hyphen, Volume 7, No. 3 (1995)
Description: Includes as supplement the Systems of Knowledge Syllabus for 1996</description>
    <dc:date>1995-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/25570">
    <title>The Nigger of the Narcissus : a tale of the sea</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/25570</link>
    <description>Title: The Nigger of the Narcissus : a tale of the sea
Abstract: The Nigger of the Narcissus has an unfortunate title, but it must be borne in&#xD;
mind that the term 'nigger' was not such an emotive one at the time Conrad&#xD;
was writing, and that he was using it descriptively and symbolically, and not&#xD;
insultingly. If that obstacle can be surmounted, the novel can be seen not only&#xD;
as an exciting tale of the sea,but also as a significant new portent in the history&#xD;
of English fiction, and as crucial in Conrad's own development.</description>
    <dc:date>1995-01-01T00:00:00Z</dc:date>
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  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/25569">
    <title>Rabta bejn il-metafora u forom ohrajn ta' tahdit figurattiv</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/25569</link>
    <description>Title: Rabta bejn il-metafora u forom ohrajn ta' tahdit figurattiv
Abstract: II-metafora hija figura tat-taħdit Ii tqabbeI keIma jew frażi ma' xi haga li&#xD;
fil-verita taI-ħajja normali u skond il-loġika ftit li xejn ikollha x'taqsam&#xD;
magħha. Ix-xebħ moħbi li fiha I-metafora jitfisser bis-saħħa ta' assoċjazzjoni.&#xD;
Izda I-metafora hi differenti mit-tixbiha għax filwaqt li din ta' I-aħħar&#xD;
tagħmeI użu minn kliem: bħal, qisu, daqs, u tħalli jidher il-paragun, fil-metafora,&#xD;
għaIkemm hemm xebħ dirett, il-paragun hu moħbi u ma jsirx użu&#xD;
mill-kliem li semmejt. Niżel bħall-vlegga, iebes daqs iż-żonqor, m'humiex&#xD;
metafori iżda huma tixbihat.</description>
    <dc:date>1995-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/25568">
    <title>Some basic structures in literature</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/25568</link>
    <description>Title: Some basic structures in literature
Abstract: In this article the author describes and defines different ways in which the plots of a story or play are structured.</description>
    <dc:date>1995-01-01T00:00:00Z</dc:date>
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