https://www.um.edu.mt/library/oar/handle/123456789/27243 2026-04-04T23:57:13Z https://www.um.edu.mt/library/oar/handle/123456789/20159 Title: Hyphen : Volume 1, Number 3 Editors: Buhagiar, Victor F.; Mallia-Milanes, Victor; Eynaud, Charles Abstract: Hyphen, Volume 1, No. 3 (Spring 1978) 1978-01-01T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/20158 Title: Inorganic complexes : an introduction Abstract: A general introduction and explanation of what makes Inorganic complexes. 1978-01-01T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/20157 Title: Memoria e poesia verghiana Abstract: La memoria verghiana e essenzialmente romantica e tale rimane nei capolavori, nei momenti piu intensi del racconto realistico, perche sempre viva intorno ai nuclei dell'emozione, popolare nel senso migliore attribuito dai Romantici a questo termine di riferimento, oggettiva, capace di porsi tra i personaggi e rivedere, con loro e per loro, cio che ama e rievoca. Cosi il personaggio diventa il punto di vista; la prospettiva del racconto nasce da lui, non appare preordinata dagli impulsi sentimentali di una storia interiore. 1978-01-01T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/20156 Title: Antony : the Shakespearean colossus : part II Abstract: Among the problems with which Shakespeare was faced when he was contemplating Antony and Cleopatra which was to be in some sort a sequel to Julius Caesar (as well as a tragedy in its own right), there were two which he had met before and solved reasonably well. The first is partly technical: how to maintain a fairly close continuity of events with the preceding play in a sequence, and yet allow for a change, often an extreme change, in a principal character. The other, rather more difficult, how to present a personage onstage who is to be truly heroic, without having him fall into Marlovian rhetoric or more rhodomontade. 1978-01-01T00:00:00Z