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    <title>OAR@UM Collection:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/32054</link>
    <description />
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    <dc:date>2026-04-05T00:03:17Z</dc:date>
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  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/20477">
    <title>Hyphen : Volume 3, Number 2</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/20477</link>
    <description>Title: Hyphen : Volume 3, Number 2
Editors: Mallia-Milanes, Victor; Scerri, Louis J.; Zammit Ciantar, Joe; Caruana Carabez, Charles
Abstract: Hyphen, Volume 3, No. 2 (1982)</description>
    <dc:date>1982-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/20476">
    <title>New directions in Maltese poetry</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/20476</link>
    <description>Title: New directions in Maltese poetry
Abstract: The title "New Directions in Maltese Poetry" leaves little room&#xD;
for satisfaction. A more accurate one, perhaps, would be: "New Thematics,&#xD;
Verse-Forms and Styles adopted by artists who use the Maltese&#xD;
Language as a verbal medium". I do not believe there is such a thing&#xD;
as Maltese poetry any more than there is English, Russian or Italian,&#xD;
though "language" is regularly exploited in the technical draft of written&#xD;
poetry. There is, in fact, only Poetry, one, universal and transcending&#xD;
the barriers of race and language. Poets are themselves the "mediums"&#xD;
that "plug us into" (or "tune us in" to) this aspect of the Universal&#xD;
Truth. Only because poets, as different from painters, sculptors, musicians,&#xD;
dancers, and other artists, use words as their means of self expression&#xD;
does the element of language(s) become an issue.&#xD;
This article also runs the gauntlet between the desire to comment&#xD;
on poems written by Maltese authors since the mid-sixties and the&#xD;
need for a sociological reading of the fundamental changes which have&#xD;
re-shaped Maltese society in these last decades and which, despite all&#xD;
"linear" programming both in political and literary manifestos, have led&#xD;
to divergent positions. A summary look at the preceding decades and&#xD;
at the schools of thought prevailing in them is also useful. Insofar as&#xD;
verses are a reflection of the society which produces them, this exercise&#xD;
is by necessity "allotropical".
Description: Errata included with article</description>
    <dc:date>1982-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/20474">
    <title>An introduction to accountancy</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/20474</link>
    <description>Title: An introduction to accountancy
Abstract: Accountancy, owing to continuous developments in these last&#xD;
decades, has moved and is still moving away from its traditional basis of&#xD;
routine work such as record-keeping, preparation of final accounts, &#xD;
budgeting etc., towards a role which emphasizes its social importance.&#xD;
From the first description of double-entry book-keeping published in&#xD;
1494 by Luca Pacioli, an Italian friar, accountancy has developed as a&#xD;
result of the growth of large-scale corporate enterprises, regulations by&#xD;
parliaments affecting accoutants and auditors, inclusion in the accountants'&#xD;
work of economic and mathematical ideas, scientific management,&#xD;
imposition of taxes on income and legal regulations obiliging&#xD;
companies to keep proper books of account and in certain cases to&#xD;
publish such accounts.</description>
    <dc:date>1982-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://www.um.edu.mt/library/oar/handle/123456789/20460">
    <title>The first documented case of drug addiction in Malta : Samuel Taylor Coleridge</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/20460</link>
    <description>Title: The first documented case of drug addiction in Malta : Samuel Taylor Coleridge
Abstract: Samuel Taylor Coleridge (1772-1834) is one of the arresting figures&#xD;
in the English literary field of the first quarter of the 19th century.&#xD;
Today !he is remembered mainly for his critical writings on William&#xD;
Shakespeare and for his evocative 'Poem The Ancient Mariner though he&#xD;
also made a name, in his time, as a journalist and as a philosopher.&#xD;
As a human being he was weak-willed, over-sensitive to physical&#xD;
discomfort and to the psychological stresses of life, incapable of taking&#xD;
decisions and of sustained mental activity and unable to adjust to an unhappy&#xD;
domestic situation stemming from a frustrating marriage. He was&#xD;
particularly prone to recurrent phases of despondency and depression&#xD;
and dependent upon his friends, among whom were William and Dorothy&#xD;
Wordsworth and Charles and Mary Lamb, for his material and psychological&#xD;
support.&#xD;
At one period of his life he tried to escape from his chronic physical&#xD;
ailments and material circumstances by coming to Malta; in fact&#xD;
when he arrived in our island at the dawn of the 19th century, he was&#xD;
distressed by his tempestuous married life, harassed by debts and in the&#xD;
grip of opium addiction. It is from this aspect of addiction - and more&#xD;
particularly for the fact that he provides us with the first documented&#xD;
case of drug dependency in Malta - that I propose to deal with Samuel&#xD;
Taylor Coleridge.</description>
    <dc:date>1982-01-01T00:00:00Z</dc:date>
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