<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>OAR@UM Collection:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/129235</link>
    <description />
    <pubDate>Wed, 08 Apr 2026 04:38:07 GMT</pubDate>
    <dc:date>2026-04-08T04:38:07Z</dc:date>
    <item>
      <title>Journal of Anglo-Italian Studies : volume 15</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/129329</link>
      <description>Title: Journal of Anglo-Italian Studies : volume 15
Authors: Vassallo, Peter; Lauri Lucente, Gloria
Abstract: Table of Contents:; - "A Woman of infinite wit, and agreeable conversation, always entertained me:" The Countess of Pomfret and Italian Hospitality: Anne M. Mckim; - "veder quel che tutt'i ciechi non veggono:" Gabriele Rossetti e ii materialismo esoterico della Commedia nel carteggio con Charles Lyell: Raffaella Antinucci; - "Rome disappoints me much:" Clough, Rome, and Amours de Voyage: Phillip Mallett; - "The Italian Method" and the "Italian Gesture." Musico-Literary considerations on W.B. Yeats, Italian music and Italian composers: Enrico Reggiani; - D.H. Lawrence, Montecassino and the "Spirit of Place": Peter Vassallo; - Naples and the Anglo-American Allied Forces: John Horne Bums's The Gallery and Francesco Rosi' s "Napoli '44": Gaetana Marrone; - Notes on Contributors</description>
      <pubDate>Sun, 01 Jan 2017 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/129329</guid>
      <dc:date>2017-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>"A woman of infnite wit, and agreeable conversation, always entertained me : " the Countess of Pomfret and Italian hospitality</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/129328</link>
      <description>Title: "A woman of infnite wit, and agreeable conversation, always entertained me : " the Countess of Pomfret and Italian hospitality
Authors: McKim, Anne M.
Abstract: On 20th December, 1740 Henrietta Louisa Fermor, Countess of&#xD;
Pomfret, marked the anniversary of her arrival in Florence by&#xD;
composing a narrative poem which she sent on Christmas Day to her&#xD;
friend, the minor poet, Frances Seymour, Countess of Hertford. In&#xD;
her poetical review of the previous year she exalts Florence as her&#xD;
"happy safe retreat" after being "forced from friends" and home in&#xD;
England by the need for the family to retrench.  Throughout her&#xD;
three years abroad, Lady Pomfret maintained a regular&#xD;
correspondence with Lady Hertford in which she recorded the&#xD;
impact her travels, particularly her residence in Italy, made on her.&#xD;
Like other travellers, in her letters home Lady Pomfret documents&#xD;
the sites visited, the new experiences enjoyed, and the people&#xD;
encountered, including British tourists and other residents abroad.&#xD;
A striking feature of her letters to her friend, however, is her&#xD;
repeated acknowledgements of the warm hospitality she everywhere&#xD;
received in Italy.</description>
      <pubDate>Sun, 01 Jan 2017 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/129328</guid>
      <dc:date>2017-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>"veder quel che tutt' i ciechi non veggono : " Gabriele Rossetti e il materialismo esoterico della Commedia nel carteggio con Charles Lyell</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/129327</link>
      <description>Title: "veder quel che tutt' i ciechi non veggono : " Gabriele Rossetti e il materialismo esoterico della Commedia nel carteggio con Charles Lyell
Authors: Antinucci, Raffaella
Abstract: In ogm tempo e luogo, confrontarsi con l'opera di Dante ha&#xD;
significato addentrarsi nel labirinto serniotico di un joyciano&#xD;
chaosmos, un universo finzionale che possiede l'organicita di un&#xD;
cosmo ordinato, ma la cui discendenza esegetica si staglia di fronte al&#xD;
critico nelle forme irregolari e disorientanti di un caos. II macrotesto&#xD;
dantesco, per dimensioni e complessita, costituisce una sfida&#xD;
ermeneutica che spesso conduce alla rinuncia, assecondando un&#xD;
orientamento che trascura in parte o in toto l'anteriore tradizione, per&#xD;
dare luogo a interpretazioni improntate al piu cornpleto soggettivismo.&#xD;
Tale non puo dirsi il percorso intrapreso dall'abruzzese Gabriele&#xD;
Rossetti (1783-1854), che consacro la sua intera vicenda biografica e&#xD;
professionale allo studio, e al culto, del Sommo Poeta. Giunto in&#xD;
Inghilterra nel 1824 come esule politico, Rossetti si rivelo instancabile&#xD;
nel promuovere la conoscenza e la diffusione di Dante in terra&#xD;
d'Albione, dando l'avvio ad una tradizione famigliare che nel corso&#xD;
dell'Ottocento ha rappresentato la piu laboriosa "officina" dantesca,&#xD;
nelle parole di Alison Milbank, "the home-grown Dante industry.</description>
      <pubDate>Sun, 01 Jan 2017 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/129327</guid>
      <dc:date>2017-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>"Rome disappoints me much : " Clough, Rome, and Amours de Voyage</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/129326</link>
      <description>Title: "Rome disappoints me much : " Clough, Rome, and Amours de Voyage
Authors: Mallett, Phillip
Abstract: Arthur Clough's Amours de Voyage can be briefly if inadequately&#xD;
described as an epistolary novella in verse, set in Rome in 1849, and&#xD;
tracing the cultural, political, and erotic adventures of Claude, a&#xD;
young Englishman not long graduated from Oxford, and the author&#xD;
of most of the letters. Or rather, since he refuses to commit himself,&#xD;
it traces his near-adventures: Emerson observed, grumpily, that it&#xD;
exhibited "much preparation to no result", which was "bad enough in&#xD;
life, and inadmissible in poetry." The author of a celebrated essay&#xD;
on "Self-Reliance" was unlikely to be won over by a hero whose vacillating nature is insinuated in his name (claudus: lame), but other&#xD;
friends had similar misgivings. John Shairp, reading the poem in&#xD;
manuscript, protested that "everything crumbles to dust beneath a&#xD;
ceaseless self-introspection and cynicism which is throughout the&#xD;
only inspiration." Matthew Arnold "forbore to comment", or even&#xD;
to apologise for not doing so: "what is to be said when a thing does&#xD;
not suit you [?]'' Recent critics have made the case for Amours de&#xD;
Voyage as a witty, poignant, and original work, but even now it is&#xD;
less often discussed, and more importantly less widely enjoyed, than&#xD;
it deserves.</description>
      <pubDate>Sun, 01 Jan 2017 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/129326</guid>
      <dc:date>2017-01-01T00:00:00Z</dc:date>
    </item>
  </channel>
</rss>

