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    <link>https://www.um.edu.mt/library/oar/handle/123456789/136573</link>
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    <pubDate>Fri, 17 Apr 2026 17:33:14 GMT</pubDate>
    <dc:date>2026-04-17T17:33:14Z</dc:date>
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      <title>The Journal of Baroque Studies : volume 1 : number 4</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/136795</link>
      <description>Title: The Journal of Baroque Studies : volume 1 : number 4
Authors: Ciappara, Frans
Abstract: Table of contents:; - In Defence of Baroque: The Wiilfflin-Frankl-Giedion Tradition: Lino Bianco; - A Painter of Pain: Games of Wit and Ambiguities in Caravaggio's Boy Bitten by a Lizard: Daniel Unger; - Music Performance Spaces in Maltese Churches during the Seventeenth and Eighteenth Centuries, and their Relevance Today: Frederick Aquilina; - Between Augustine and Pelagius: Leonard Lessius in the Leuven Controversies, from 1587 to the 20th century: Eleonora Rai; - L'altare 'macchina da festa' nell'universo barocco: modelli romani in Sicilia e Malta: Lucia Trigilia; - La geometria della guerra: evoluzioni tattiche marittime e terrestri nei secoli XVII-XVIII: Francesco Frasca; - D'Aleccio's Fortifications: Faithful Representation or Artistic Imagination?: Stephen C. Spiteri; - Giovan Francesco Buonamico -A Flaneur in Baroque Style: Bernard Micallef; - Anciens usages des Maltais d'apres un guide touristique de Malte du XVIIIe siecle: Carmen Depasquale; - Book Reviews</description>
      <pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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      <dc:date>2016-01-01T00:00:00Z</dc:date>
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      <title>A painter of pain : games of wit and ambiguities in Caravaggio's Boy Bitten by a Lizard</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/136793</link>
      <description>Title: A painter of pain : games of wit and ambiguities in Caravaggio's Boy Bitten by a Lizard
Authors: Unger, Daniel
Abstract: Looking at Caravaggio's Boy Bitten by a Lizard (fig. 1), what strikes&#xD;
us initially is the femininity of the hand gestures of the youth at the&#xD;
centre and his agonized expression. His effeminate elements are&#xD;
complemented by the flower in his hair and the loose garment exposing&#xD;
his shoulder. Reacting to being bitten by a lizard while reaching for&#xD;
two red cherries, the boy is posed against a greyish wall. On the table&#xD;
in front of him are various fruits of a similar greyish colour, which&#xD;
highlights the cherries, and a glass vase with flowers. The lizard, the&#xD;
cause of the boy's reaction, is barely visible. The boy is dressed in a&#xD;
Roman outfit- a white tunic beneath a brown toga. The red of his lips&#xD;
corresponds to that of the cherries. Red is the only colour that does not&#xD;
blend with the greyish-brown of the rest of the painting.</description>
      <pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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      <dc:date>2016-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Music performance spaces in Maltese churches during the seventeenth and eighteenth centuries, and their relevance today</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/136791</link>
      <description>Title: Music performance spaces in Maltese churches during the seventeenth and eighteenth centuries, and their relevance today
Authors: Aquilina, Frederick
Abstract: Throughout the ages church architecture and music united&#xD;
to create a unique combination of disciplines experienced through&#xD;
space and time: on the one hand, church buildings were planned with&#xD;
specially designed performance spaces to be occupied by musicians and&#xD;
their instruments; on the other hand, musical works were created by&#xD;
composers primarily to be heard in such designated locations within&#xD;
the church building - the performance spaces. While architecture is&#xD;
timeless and can be appreciated as a spatial whole, music can only be&#xD;
experienced over a period of time within the spatial whole.</description>
      <pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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      <dc:date>2016-01-01T00:00:00Z</dc:date>
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      <title>Between Augustine and Pelagius : Leonard Lessius in the Leuven controversies, from 1587 to the 20th century</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/136790</link>
      <description>Title: Between Augustine and Pelagius : Leonard Lessius in the Leuven controversies, from 1587 to the 20th century
Authors: Rai, Eleonora
Abstract: In the second half of the 1580s, Leuven - a stronghold of&#xD;
Catholicism in the Spanish Netherlands during the wars of religion' -&#xD;
was the scene of a thorny dispute over Grace, free will, predestination&#xD;
and Holy Writ, which was part of the series of theological controversies&#xD;
which developed in the 16th and 17th centuries. The Leuven controversies represent the essential connection between Michael Bay and Cornelius&#xD;
Jansen's theologies and the necessary background to understand the&#xD;
later controversia de auxiliis.</description>
      <pubDate>Fri, 01 Jan 2016 00:00:00 GMT</pubDate>
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      <dc:date>2016-01-01T00:00:00Z</dc:date>
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