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    <title>OAR@UM Collection:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/26599</link>
    <description />
    <pubDate>Wed, 15 Apr 2026 20:41:53 GMT</pubDate>
    <dc:date>2026-04-15T20:41:53Z</dc:date>
    <item>
      <title>El cuerpo partido (The broken body)</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/127419</link>
      <description>Title: El cuerpo partido (The broken body)
Abstract: Dance scholar and researcher Dr Paula Guzzanti travels to Costa Rica to facilitate dance and meditation classes for Nicaraguans living in exile.</description>
      <pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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      <dc:date>2019-01-01T00:00:00Z</dc:date>
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    <item>
      <title>The language of affect in choreographic practice : conversations on the making of embodied at the GPO</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/127106</link>
      <description>Title: The language of affect in choreographic practice : conversations on the making of embodied at the GPO
Authors: Guzzanti Ferrer, Paula
Abstract: The language that choreographers use to reflect on their practice is &#xD;
infused with metaphors and sensory images that refer to the experience &#xD;
of affect. The language and images they use activate, steer, and make &#xD;
sense of affect within their compositional processes. The words they &#xD;
choose suggest an affective encounter, a point of confluence and emergence between the embodied experience of dancing and the meaning-making process that is intrinsic to the artistry of dance-making. In this &#xD;
practice, the articulation of affect involves a process of awareness, recognition, integration and expression.</description>
      <pubDate>Mon, 01 Jan 2018 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/127106</guid>
      <dc:date>2018-01-01T00:00:00Z</dc:date>
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    <item>
      <title>After the touch of violence : transforming the affects of violence in displaced communities through dance improvisation</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/127105</link>
      <description>Title: After the touch of violence : transforming the affects of violence in displaced communities through dance improvisation
Authors: Guzzanti Ferrer, Paula
Abstract: I arrived in San Jose, capital city of Costa Rica, on July 4, 2019, to deliver &#xD;
four weeks of dance improvisation and meditation to Nicaraguan people &#xD;
fleeing from persecution and human rights violations. With the support of &#xD;
the Higginson Leadership Award (Queen's University Belfast) and a &#xD;
network of grassroots organisations based in Costa Rica, my plan was to &#xD;
facilitate tools for wellbeing to a displaced community. My initial thought &#xD;
was that dance improvisation and meditation practice could contribute to a &#xD;
humanitarian aid programme as a resource for supporting people who had &#xD;
lived through traumatic events, but my experience working with exiles &#xD;
would shift my thinking.</description>
      <pubDate>Sat, 01 Jan 2022 00:00:00 GMT</pubDate>
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      <dc:date>2022-01-01T00:00:00Z</dc:date>
    </item>
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      <title>Pathways : walking in a terrain in flux</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/127104</link>
      <description>Title: Pathways : walking in a terrain in flux
Authors: Guzzanti Ferrer, Paula; D'Arcy, John
Abstract: This chapter offers a reflective account of the walking performance project &#xD;
Pathways (2021). The project aimed to explore the ways in which large infrastructural road works impact people's desire to walk. The walking practice &#xD;
took place from February to November 2021 along the lines of a newly built &#xD;
multi-level road junction on the island of Malta. &#xD;
The new road infrastructure on which we focus the project is known as the &#xD;
Marsa Junction. It runs along the edge of Marsa, a town located in the South-eastern region of Malta. Founded along Malta's Grand Harbour, Marsa is &#xD;
adjacent to several other towns. Historically, it has been possible to walk &#xD;
through these towns continuously. One might only notice the passing from &#xD;
one town to the next through subtle changes in architectural and other urban &#xD;
features and the characteristics of the town's inhabitants. &#xD;
The new highway infrastructure of the Marsa Junction was advertised &#xD;
as 12 km of uninterrupted road network connecting the south and north of &#xD;
the country (Infrastructure Malta 2020. Such a proposal begs the question &#xD;
of how this continuous flow of vehicles impacts and changes the historical &#xD;
pedestrian lines connecting towns and communities. It follows that we might &#xD;
ask how changes in pedestrian tracks and lines might affect how humans &#xD;
construct their sense of place and connect with their environment. Thus, we &#xD;
wonder what kind of relationship to the Earth this new urban geography &#xD;
might foster amongst the pedestrians of Malta. We feel that these questions &#xD;
might be answered through procedures of mindful walking. We attempt to do &#xD;
this using an embodied research approach in the Pathways project.</description>
      <pubDate>Sun, 01 Jan 2023 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://www.um.edu.mt/library/oar/handle/123456789/127104</guid>
      <dc:date>2023-01-01T00:00:00Z</dc:date>
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