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    <title>OAR@UM Collection:</title>
    <link>https://www.um.edu.mt/library/oar/handle/123456789/40262</link>
    <description />
    <pubDate>Sun, 05 Apr 2026 18:12:39 GMT</pubDate>
    <dc:date>2026-04-05T18:12:39Z</dc:date>
    <item>
      <title>The passport to eternal life</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/40477</link>
      <description>Title: The passport to eternal life
Abstract: “Everyone will admit that the art of dying well&#xD;
is the most important of all the arts,” writes St&#xD;
Robert Bellarmine in the preface to his De Arte&#xD;
Bene Moriendi, published in the second decade&#xD;
of the 17th century.&#xD;
Yet, how is a good death ensured? What&#xD;
are the necessary steps and measures that,&#xD;
taken during one’s lifetime, assist the soul’s safe&#xD;
passage to heaven? What are the ways, if any,&#xD;
that ascertain as short a stay as possible in the&#xD;
flames of purgatory?&#xD;
These are a few of the questions explored by&#xD;
Frans Ciappara, from the University of Malta’s&#xD;
International Institute of Baroque Studies,&#xD;
during a well-attended public lecture delivered&#xD;
at the Inquisitor’s Palace in Vittoriosa, which&#xD;
was introduced by the director of the Institute,&#xD;
Denis De Lucca.
Description: This article first appeared in The Sunday Times&#xD;
of Malta on 27 January 2013.&#xD;
&#xD;
The event was organised by the International&#xD;
Institute of Baroque Studies at the University of&#xD;
Malta in collaboration with Heritage Malta.&#xD;
The lecture was accompanied by David Ellul&#xD;
who provided short musical interludes on the&#xD;
violoncello, consisting of excerpts by Vivaldi,&#xD;
Schubert and Grieg related to the theme.</description>
      <pubDate>Tue, 01 Jan 2013 00:00:00 GMT</pubDate>
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      <dc:date>2013-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Mattia Preti events : 4th centenary celebrations in 2013</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/40463</link>
      <description>Title: Mattia Preti events : 4th centenary celebrations in 2013
Abstract: Mattia Preti was born in 1613 in Taverna in&#xD;
Calabria, Italy. He worked in Rome and Naples&#xD;
as a painter, and in 1658 he visited Malta where&#xD;
he painted important works for the Knights of&#xD;
the Order of St John. Preti became a Knight&#xD;
of Magistral Grace within the Order of St&#xD;
John under Grandmaster Nicholas Cotoner.&#xD;
He continued to paint and received many&#xD;
ecclesiastical and private commissions for his&#xD;
work in Malta, until his death in 1699. The 4th&#xD;
centenary of the birth of this accomplished 17th century&#xD;
artist was marked in Malta in 2013 by&#xD;
an international exhibition, publications, lectures&#xD;
and other initiatives.</description>
      <pubDate>Tue, 01 Jan 2013 00:00:00 GMT</pubDate>
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      <dc:date>2013-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Baroque Routes Newsletter - Issue 9</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/40462</link>
      <description>Title: Baroque Routes Newsletter - Issue 9
Abstract: Contents: Mattia Preti events, 4th centenary celebrations in 2013… 4/ The beginnings of the Manoel Baroque festival… 6/ The city-fortress of Valletta in the Baroque age… 8/ A new centre on fortifications in Valletta… 18/ The passport to eternal life… 19/ Summer school on Baroque military architecture… 22/ Journal of Baroque Studies /&#xD;
MA dissertations 2013… 24.</description>
      <pubDate>Sun, 01 Dec 2013 00:00:00 GMT</pubDate>
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      <dc:date>2013-12-01T00:00:00Z</dc:date>
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    <item>
      <title>The city-fortress of Valletta in the Baroque age</title>
      <link>https://www.um.edu.mt/library/oar/handle/123456789/40455</link>
      <description>Title: The city-fortress of Valletta in the Baroque age
Abstract: The Baroque age is generally considered&#xD;
to have begun in the last third of the&#xD;
sixteenth century and to have ended in the&#xD;
mid-eighteenth, covering the period of time&#xD;
between the Italian Renaissance (and its&#xD;
Mannerist sequel) and Neo-classicism. In&#xD;
Europe, the Baroque architectural expression&#xD;
was an integral component of an aristocratic&#xD;
culture incorporating art and architecture,&#xD;
religious and philosophical attitudes, political,&#xD;
military and social structures, geographical&#xD;
and scientific discoveries, literary&#xD;
achievements and ceremonial and theatrical&#xD;
displays. Towards the end of the sixteenth&#xD;
century these different aspects of human&#xD;
endevour started interacting together to form&#xD;
the basis of a new Baroque lifestyle.</description>
      <pubDate>Tue, 01 Jan 2013 00:00:00 GMT</pubDate>
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      <dc:date>2013-01-01T00:00:00Z</dc:date>
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