https://www.um.edu.mt/library/oar/handle/123456789/4674 Tue, 23 Jun 2026 10:46:10 GMT 2026-06-23T10:46:10Z https://www.um.edu.mt/library/oar/handle/123456789/147250 Title: John Grima's epic art for St Publius, Floriana Abstract: Giovanni Bonello celebrates the completion of the vault paintings at St Publius parish church in Floriana. Initiated by Ervin Cremona, the monumental pictorial cycle was completed by artist John Grima, who balanced stylistic continuity with individual artistic expression. Sun, 04 May 2025 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/147250 2025-05-04T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/146837 Title: Timeless messages Abstract: Marika Azzopardi reviews Vania Goshe's solo art exhibition, "Timeless Treasures: Heritage & Nature," at the Gemelli Art Gallery. The article highlights how the Bulgarian artist uses a textured spatula technique to blend Balkan color palettes with Mediterranean light, creating Maltese landscapes that critique rapid urbanization alongside vibrant floral still lifes. Sun, 03 Nov 2024 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/146837 2024-11-03T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/146835 Title: All that sparkles and glitters Abstract: In this interview, jeweler and numismatist Emmanuel Azzopardi shares his expertise on the history, craftsmanship, and elegance of antique Maltese jewelry between 1850 and 1930. The article details various traditional pieces that Maltese women typically received as part of their dowry or for special occasions, such as the bula, barbazzal, and linfa or ċombin earrings, while also highlighting historical men's accessories like the polka chain used for pocket watches. Sun, 31 Mar 2002 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/146835 2002-03-31T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/146549 Title: Modernist paintings evoke nature : landscape Interpretations is showing at George Fenech Museum, Mellieħa Abstract: Christian Attard reviews the exhibition Landscape Interpretations at the George Fenech Museum, featuring works by Esprit Barthet, Antoine Camilleri, and Lino Borg. The article explores how these artists use landscape painting not merely as topographical representation but as a means of personal reflection, spiritual reprieve, and a reaction to Malta’s profound transformations over eight decades. Attard highlights the tension between idealized, "timeless" depictions of Malta and the looming realities of war, industrialization, and modern land speculation. Sun, 19 Jan 2025 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/146549 2025-01-19T00:00:00Z