https://www.um.edu.mt/library/oar/handle/123456789/6480 Sun, 30 Aug 2026 19:42:33 GMT 2026-08-30T19:42:33Z https://www.um.edu.mt/library/oar/handle/123456789/148621 Title: Giuseppe Calì (1846-1930) : his life and artistic output Abstract: The article provides an overview of the life, artistic evolution, and notable works of the prolific Maltese artist Giuseppe Calì (1846–1930). It discusses his artistic training in Naples, key stylistic influences like Domenico Morelli and Eugène Delacroix, his techniques, and his extensive output spanning over 600 works—including sacred altarpieces, church vault decorations, psychological portraits, and landscapes. Sun, 10 Aug 2025 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/148621 2025-08-10T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/147250 Title: John Grima's epic art for St Publius, Floriana Abstract: Giovanni Bonello celebrates the completion of the vault paintings at St Publius parish church in Floriana. Initiated by Ervin Cremona, the monumental pictorial cycle was completed by artist John Grima, who balanced stylistic continuity with individual artistic expression. Sun, 04 May 2025 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/147250 2025-05-04T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/146837 Title: Timeless messages Abstract: Marika Azzopardi reviews Vania Goshe's solo art exhibition, "Timeless Treasures: Heritage & Nature," at the Gemelli Art Gallery. The article highlights how the Bulgarian artist uses a textured spatula technique to blend Balkan color palettes with Mediterranean light, creating Maltese landscapes that critique rapid urbanization alongside vibrant floral still lifes. Sun, 03 Nov 2024 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/146837 2024-11-03T00:00:00Z https://www.um.edu.mt/library/oar/handle/123456789/146033 Title: 'Faust' reawakened : the unholy procession towards success Abstract: Kylie Aquilina reviews Matthew Shirfield’s solo exhibition, The Dirge, which reinterprets the Faustian myth to critique contemporary culture’s pursuit of success and power. The article highlights how Shirfield’s charcoal works juxtapose traditional Maltese Good Friday processions with haunting, monochrome imagery to suggest a modern loss of faith and the repetitive nature of human suffering. Sun, 10 Nov 2024 00:00:00 GMT https://www.um.edu.mt/library/oar/handle/123456789/146033 2024-11-10T00:00:00Z