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Title: Style is the man : Meillassoux, Heidegger, and finitude
Authors: Corby, James
Keywords: Meillassoux, Quentin, 1967-
Heidegger, Martin, 1889-1976
Finite, The, in literature
Discourse analysis, Literary
Philosophy, Modern
Issue Date: 2013
Publisher: Bloomsbury
Citation: Corby, J. Style is the man : Meillassoux, Heidegger, and finitude - Style in theory : between literature and philosophy. London, New York: Bloomsbury, 2013. 163-186. 9781441122186.
Abstract: Quentin Meillassoux’s After Finitude, published in French in 2006 and translated into English in 2008, calls for a new style of philosophy, one that rejects the limiting legacy of Kantian critical philosophy and reinstates knowledge of the absolute as the proper aim of philosophical inquiry. It is a message that echoes loudly throughout the book, from the first paragraph, where Meillassoux makes it clear that “what is at stake . . . is the nature of thought’s relation to the absolute” (2008, 1), to the final line where he enjoins us to “reconcile thought and absolute” (128).
ISBN: 9781441122186
Appears in Collections:Scholarly Works - FacArtEng

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