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Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/16083
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dc.contributor.authorMangion, Claude-
dc.date.accessioned2017-01-31T13:28:36Z-
dc.date.available2017-01-31T13:28:36Z-
dc.date.issued2010-
dc.identifier.citationMangion, C. (2010). On the dialogical engagement between theology and popular culture. Milltown studies, 66, 37-68.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/16083-
dc.description.abstractIn Virtual Faith Tom Beaudoin describes the church as "laughably out of touch; [having] hopelessly droll music, antediluvian technology, retrograde social teaching, and hostile or indifferent attitude towards popular culture." This is, unfortunately, the common (mis)perception of the church by many in the twenty-first century. Theological explanations seem to be too archaic to have any bearing in the lives of many and this dismissal is often attributed to the current postmodern culture we are said to live in.en_GB
dc.language.isoenen_GB
dc.publisherMilltown Instituteen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectPopular cultureen_GB
dc.subjectTheology -- History -- 21st centuryen_GB
dc.subjectReligion and cultureen_GB
dc.subjectChurch and mass mediaen_GB
dc.titleOn the dialogical engagement between theology and popular cultureen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
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