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Issue Date	Title	Author(s)
2020	The concert hall as a gender-neutral space : the case of Amalie Joachim, née Schneeweiss	Borchard, Beatrix; Coleman, Jeremy
2013	The Cambridge Wagner Encyclopedia entries	Coleman, Jeremy
2019	Review of Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration, and Daniel K. L. Chua, Beethoven and Freedom	Coleman, Jeremy
2019	Richard Wagner in Paris : translation, identity, modernity	Coleman, Jeremy
2021	[Book review] The Cambridge Companion to Wagner’s Der Ring des Nibelungen. Ed. by Berry Mark and Vazsonyi Nicholas Cambridge Companions to Music	Coleman, Jeremy
2021	Redemption from the redeemer? Review article on Roger Scruton and Wagner's Parsifal	Coleman, Jeremy
2019	Found in translation : review of Richard Wagner, The Ring of the Nibelung, trans. John Deathridge	Coleman, Jeremy
2019	‘In ein fernes Land’ : the politics of translation in Wagner’s arrangement of Gluck’s Iphigénie en Aulide	Coleman, Jeremy
2013	Review of Eva Rieger, Richard Wagner's Women, trans. Chris Walton, and Laurence Dreyfus, Wagner and the Erotic Impulse	Coleman, Jeremy
2017	The body in the library : review of Richard Wagner Sämtliche Werke	Coleman, Jeremy