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Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/24628
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dc.contributor.authorSant Cassia, Paul
dc.date.accessioned2017-12-12T13:34:38Z
dc.date.available2017-12-12T13:34:38Z
dc.date.issued2000
dc.identifier.citationSant Cassia, P. (2000). Exoticizing discoveries and extraordinary experiences: "traditional" music, modernity, and nostalgia in Malta and other Mediterranean societies. Ethnomusicology, 44(2), 281-301.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/24628
dc.description.abstractCassia examines how "ghana," traditional singing in Malta, was originally defined as a subaltern indigenous musical culture by folklorists, and how ghana held an ambiguous position for the politics of cultural identity. The exoticism of ghana in modern times is discussed.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Illinois Pressen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectFolk music -- Malta -- History and criticismen_GB
dc.subjectFolk music -- Mediterranean Region -- History and criticismen_GB
dc.subjectCivilization, Modern -- Historyen_GB
dc.subjectNostalgia -- Maltaen_GB
dc.subjectNostalgia -- Mediterranean Regionen_GB
dc.titleExoticizing discoveries and extraordinary experiences : "traditional" music, modernity, and nostalgia in Malta and other Mediterranean societiesen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedpeer-revieweden_GB
dc.publication.titleEthnomusicologyen_GB
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