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DC Field | Value | Language |
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dc.date.accessioned | 2018-11-15T16:00:36Z | - |
dc.date.available | 2018-11-15T16:00:36Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Camenzuli, A. (2018). A visual project on Rembrandt’s etchings : utilizing his technique to transform the contemporary Maltese landscape into pen and ink (Bachelor's dissertation). | en_GB |
dc.identifier.uri | https://www.um.edu.mt/library/oar//handle/123456789/36269 | - |
dc.description | B.A.(HONS)HIST.OF ART - FINE ARTS | en_GB |
dc.description.abstract | This thesis incorporates a project which revolves around the title: ´A visual project on Rembrandt`s etchings`. This treats the idea of studying the etchings by Rembrandt with the intention of producing copies done by this master. The main theme chosen for these etchings was the landscapes. The process of copying Rembrandt`s etchings will not be produced in the Master's manner but will be conveyed by the use of pen and ink. Thus the work will not follow the same approach which the artist tackled. In order to satisfy the number of details and the technique he used and to attempt to achieve the precision which he applied in his etchings the grid technique will be applied. Moreover the idea of tackling the local landscapes evolved with the current issues of over development which is contrasting Rembrandt’s depiction of the beauty of nature. Eventually this series of replicas in pen and ink, would then serve as a preparatory introduction to the final project. In other words these copies serve as the inspiration to produce a final work. The outcome of the final work will be based on the same medium used for the copies and eventually this would lead to the original final work based on the Maltese scenario together with the present environmental problems. The pen and ink drawings amounted to a small set of five made on a small scale to resemble Rembrandt’s etchings which were also produced on a small dimension. | en_GB |
dc.language.iso | en | en_GB |
dc.rights | info:eu-repo/semantics/restrictedAccess | en_GB |
dc.subject | Rembrandt Harmenszoon van Rijn, 1606-1669 | en_GB |
dc.subject | Etching -- Technique | en_GB |
dc.subject | Landscape painting -- 17th century | en_GB |
dc.title | A visual project on Rembrandt’s etchings : utilizing his technique to transform the contemporary Maltese landscape into pen and ink | en_GB |
dc.type | bachelorThesis | en_GB |
dc.rights.holder | The copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder. | en_GB |
dc.publisher.institution | University of Malta | en_GB |
dc.publisher.department | Faculty of Arts. Department of History of Art | en_GB |
dc.description.reviewed | N/A | en_GB |
dc.contributor.creator | Camenzuli, Anthea | - |
Appears in Collections: | Dissertations - FacArt - 2018 Dissertations - FacArtHa - 2018 |
Files in This Item:
File | Description | Size | Format | |
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18BARTFA 001.pdf Restricted Access | 32.81 MB | Adobe PDF | View/Open Request a copy |
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