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  4. SymMel, 2008, Volume 5
Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/6408
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dc.contributor.authorMifsud, Immanuel
dc.date.accessioned2015-11-13T08:15:48Z
dc.date.available2015-11-13T08:15:48Z
dc.date.issued2008
dc.identifier.citationSymposia Melitensia. 2008, Vol.5, p. 45-55en_GB
dc.identifier.issn1812-7509
dc.identifier.urihttps://www.um.edu.mt/library/oar//handle/123456789/6408
dc.description.abstractThis article discusses the ways how male poets look at women (female object) in their poems. Examples from poems written in the 20th century, that were analysed by Laura Mulvey who was influenced by the theories of Freud and Lacan's, helped to shift the orientation of film theory towards a psychoanalytic framework. This article shows how one can apply this theory to literary analyses.en_GB
dc.language.isomten_GB
dc.publisherUniversity of Malta. Junior Collegeen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectWomen and literatureen_GB
dc.subjectFeminism and literatureen_GB
dc.subjectFeminist literary criticismen_GB
dc.subjectPhallicism in literatureen_GB
dc.title'L-Ghajnejn Tixtieq' : il-harsa fallika tal-poeti rgiel lejn l-oggett femminilien_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
Appears in Collections:Scholarly Works - JCMal
SymMel, 2008, Volume 5
SymMel, 2008, Volume 5

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