Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/76094
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dc.contributor.authorFrendo, Maria-
dc.date.accessioned2021-05-21T13:39:19Z-
dc.date.available2021-05-21T13:39:19Z-
dc.date.issued2016-
dc.identifier.citationFrendo, M. (2016). Daniel Albright, Panaesthetics : on the unity and diversity of the arts [Book review]. CounterText, 2(1), 106-109.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/76094-
dc.description.abstractWith the crossing of boundaries, if not perhaps the overstepping of limits, literary studies has increasingly moved toward discerning, rationalising, and presenting more panoramic purviews. This is arguably one of the defining features of literary studies in the time of the post-literary, and it finds a particularly intriguing reflection in the work under review here.en_GB
dc.language.isoenen_GB
dc.publisherEdinburgh University Press Ltd.en_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectBooks -- Reviewsen_GB
dc.subjectAlbright, Daniel, 1945-2015 -- Criticism and interpretationen_GB
dc.subjectArtsen_GB
dc.subjectCounterpointen_GB
dc.titleDaniel Albright, Panaesthetics : on the unity and diversity of the arts [Book review]en_GB
dc.typereviewen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.3366/count.2016.0043-
dc.publication.titleCounterTexten_GB
Appears in Collections:Scholarly Works - FacArtEng

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