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dc.date.accessioned2021-05-24T10:08:03Z-
dc.date.available2021-05-24T10:08:03Z-
dc.date.issued2019-
dc.identifier.citationFrendo, M. (2019). A Siren’s Song. In A Magna Maxima, 97-98. Valletta: Progress Pressen_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/76150-
dc.description.abstractCaliban’s words in Shakespeare’s last play, The Tempest, refer to a magical island replete with musical sound, not only through Ariel’s songs that charm Ferdinand to walk onto the “yellow sands”, but the very air sings the most ravishing music. It is an island that welcomes the shipwrecked Prospero and, at the end of the play, brings about the reconciliation to the conflict between him and his long-standing enemy, Alonso. It is an island where differences are dissolved rather than resolved; where time stands still; where, as Tennyson puts it in ‘The Lotos-Eaters’, “it seemed always afternoon” and where you expect the “poppy [to] hang in sleep”.en_GB
dc.language.isoenen_GB
dc.publisherProgress Pressen_GB
dc.rightsinfo:eu-repo/semantics/openAccessen_GB
dc.subjectExhibitionsen_GB
dc.titleA Siren’s songen_GB
dc.title.alternativeA Magna Maximaen_GB
dc.typebookParten_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holderen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorFrendo, Maria-
Appears in Collections:Scholarly Works - FacArtEng

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