Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/84675
Full metadata record
DC FieldValueLanguage
dc.date.accessioned2021-11-25T14:26:00Z-
dc.date.available2021-11-25T14:26:00Z-
dc.date.issued2005-
dc.identifier.citationAsciak, R. (2005). Dance + architecture : the threads that run in between (Bachelor's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/84675-
dc.descriptionB.E.&A.(HONS)en_GB
dc.description.abstractArchitecture holds the power to influence the ways people occupy and use space. Man’s basic need to accommodate his activities has made architecture a vital component of social structures. In this respect, the discipline of architecture cannot afford to be a closed system of concepts and manners of practice, but should, in its spirit and design, embrace a sense of dialogue with other disciplines, allowing itself to absorb knowledge and expertise from other areas of study which may result in an enriched architectural understanding of the potential multiplicity of ways of how the built environment is inhabited. The realm of dance revolves around the movement of the human body in space and time. The notion of a dialogue being set up between the disciplines of architecture and dance, would stress the concept of bodily movements relative to a particular type of architectural space or volume. When working together with choreographers and dancers, architects come to recognise that movements cannot only be thought of as those executed by the lower limbs in the ordinary actions of walking, running or sitting, but also those carried out by the torso, arms, hands and head. This collaboration might lead to inspire architectural design which would invite a more fulfilling way of occupying a space. Architecture should be conceived of as a choreography of space and forms that envelops the body in its composition, forming an ‘empty stage’ so to speak, or a performance space, in which a myriad of inhabitants, with their various temporal movements and choreographies are allowed to occupy the architectural spaces in a multiplicity of movements.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectArchitecture -- Maltaen_GB
dc.subjectDance -- Maltaen_GB
dc.subjectSpace perceptionen_GB
dc.titleDance + architecture : the threads that run in betweenen_GB
dc.typebachelorThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentFaculty for the Built Environment. Department of Architecture and Urban Design.en_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorAsciak, Rosanne (2005)-
Appears in Collections:Dissertations - FacBen - 1970-2018
Dissertations - FacBenAUD - 1970-2015

Files in This Item:
File Description SizeFormat 
B.E._A.(HONS)_Asciak_Rosanne_2005.pdf
  Restricted Access
34.97 MBAdobe PDFView/Open Request a copy


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.