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dc.contributor.authorCamilleri, Frank-
dc.date.accessioned2022-01-12T12:29:37Z-
dc.date.available2022-01-12T12:29:37Z-
dc.date.issued2020-
dc.identifier.citationCamilleri, F. (2020). From bodymind to bodyworld: the case of mask work as a training for the senses. Theatre, Dance and Performance Training, 11(1), 25-39.en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/86795-
dc.description.abstractThe article proposes the concept of bodyworld to refer to the roles played by the material environment in performer processes. As such the term belongs to what the author calls postpsychophysical perspectives in acknowledging an agential interactive relation with the world. In doing so, bodyworld updates and extends the human-centric formulation of the psychophysical bodymind. To illustrate an instance of bodyworld, the article considers the case of mask work as constituitive of human–non-human relationalities. Though the focus is on mask work in general, reference is made to masks of different types to achieve a broader perspective that can be applied to specific practices. In particular, the neutral mask tradition of Jacques Copeau and Jacques Lecoq is invoked to illuminate various points. The bodyworld analysis of mask work is informed by Brian Massumi’s theory of affects which considers the connection between movement, sensory perception, and situated materiality.en_GB
dc.language.isoenen_GB
dc.publisherRoutlegdeen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectActing -- Study and teachingen_GB
dc.subjectHuman figure in arten_GB
dc.subjectHuman body in motion picturesen_GB
dc.subjectMasksen_GB
dc.subjectSensory stimulationen_GB
dc.titleFrom bodymind to bodyworld : the case of mask work as a training for the sensesen_GB
dc.typearticleen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.description.reviewedpeer-revieweden_GB
dc.identifier.doi10.1080/19443927.2019.1666028-
dc.publication.titleTheatre, Dance and Performance Trainingen_GB
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