For two decades, the Maltese-Canadian flutist Rebecca Hall has been at the forefront of music making in Malta. Whether in her post as principal flute of the Malta Philharmonic, as flutist of the Cosmos wind ensemble or as flutist/artistic director of Camerata Galatea, she has brought to the stage playing that has been described as “beautiful, sensuous, sensitive and poetic”. Local audiences will remember her extensive concerto performances with the Malta Philharmonic, in works ranging from Bach and Mozart to Nielsen, Rodrigo and Foss. Chamber performances with the Cosmos ensemble have taken her across Europe, Canada and Australia.
She has a number of recordings to her credit, most notably in premieres of serenades by Jadassohn and Kelly, as well as championing Maltese compositions in chamber recordings of Albert Garcia, Charles Camilleri and Joseph Vella. Her promotion of female composers has led her to give Maltese premieres of works by composers as diverse as Hildegard of Bingen and Veronique Vella. Live and studio broadcasts of her performances have been presented on CBC, BBC and Australian Broadcasting, as well as local television and radio.
Offstage, Rebecca Hall holds a Doctorate of Music and lectures in Flute performance, Chamber music, Baroque Studies and Women in Music for the University of Malta. She is also the flute tutor of Malta’s National Youth Orchestra. Her writings have been published by the Institute for Baroque Studies (University of Malta), the British and Italian Flute Society Journals, and the Rupert Brooke Society.
In the Press:
“The flautist Rebecca Hall gave a solo performance of the “Desert Songs” by Charles Camilleri (1931 to 2009). With great feeling, she made the most of the inherent potential of her instrument” (Frankfurter Allegemeitzung)
“The Songs.....gave the flautist an opportunity to exhibit her solo talents – with an expressive tone which, in its atmospheric intensity, was hard to top.” (Frankfurter Neue Presse)

“Rebecca Hall...flits above and around the striding orchestra like Tinker Bell chatting with Peter Pan” (American Record Review)
“Rebecca Hall lends the work a fragile humanity as well as winged fantasy” (Musicweb international)