Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/19266
Title: Transform everything
Authors: Galea, Matthew
Keywords: Sculpture
Meaning (Philosophy)
Computer art
Issue Date: 2016-04
Publisher: University of Malta
Citation: Galea, M. (2016). Transform everything. THINK Magazine, 16, 16.
Abstract: Digital technology opens up new possibilities for the visual arts. It allows artists to go beyond the traditional constraints of art. Sculpture is a centuries-old tradition reliant on the relationship between the artefact, and its material and space around it. In the past, sculpture was confined to being a physical act; it produced threedimensional tangible objects that had little to do with the digital world. But this is just one side, if you would forgive the pun, to sculpture. Sculpture can be viewed as a mental process. It is the act of remediating things, or rather reassigning meaning to objects. Marcel Duchamp’s infamous sculpture ‘Fountain’ (1917) is perhaps a perfect example of this. Meaning is a social and cultural construct created through interactions by people with the objects and their environment. Since meaning is fabricated by society, then it stands to reason how the same objects have held multiple interpretations through time.
URI: https://www.um.edu.mt/library/oar//handle/123456789/19266
Appears in Collections:Scholarly Works - FacMKSDA
Think Magazine, Issue 16
Think Magazine, Issue 16

Files in This Item:
File Description SizeFormat 
Think 16 - A10.pdfTransform everything581.88 kBAdobe PDFView/Open


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.