Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/127352
Title: Counterfeit classics : Shakespeare/Camilleri joking with masks, translations and traditions
Authors: Dente, Carla
Keywords: Dipasquale, Giuseppe
Shakespeare, William, 1564-1616 -- Adaptations
Shakespeare, William, 1564-1616. Much ado about nothing
Messina (Italy) -- Drama
Sicily (Italy) -- Fiction
Italy -- History -- 19th century -- Fiction.
Camilleri, Andrea, 1925-2019 -- Criticism and interpretation
Authors, Italian -- 20th century
Italian fiction -- 20th century -- History and criticism
Issue Date: 2013
Publisher: University of Malta. Institute of Anglo-Italian Studies
Citation: Dente, C. (2013). Counterfeit classics : Shakespeare/Camilleri joking with masks, translations and traditions. Journal of Anglo-Italian Studies, 12, 245-262.
Abstract: Literature and life: Shakespeare between England and Italy. Some years ago Troppu Trafficu ppi nenti was performed in Catania under the direction of Giuseppe Dipasquale. It was a translation, adaptation and parody of Shakespeare's comedy, Much Ado About Nothing written by Andrea Camilleri in Sicilian dialect. Camilleri and Dipasquale's adaptation was published in a book containing three texts of the same nature; the other two were a stage adaptation of a previous novel by Camilleri, II birraio di Preston (The Preston Brewer), first performed in Catania in 1999 with the same director, and recently revived, and La Cattura, already staged in 2001 with a splendid performance by the actor Turi Ferro. La Cattura was an adaptation for the theatre of a short story by Pirandello, an author who was a classic first of the Sicilian and then of the Italian stage. A second edition of Troppu Trafficu was published in the prestigious Oscar Mondadori collection, together with a translation into Italian by Masolino D 'Amico only two years ago. A translation is no doubt necessary if the play is to be properly understood by an Italian audience. However, it changes the nature of the 'gesture' made by that first experiment, originally performed in the Catania Summer Festival of 2000.
URI: https://www.um.edu.mt/library/oar/handle/123456789/127352
Appears in Collections:Journal of Anglo-Italian Studies, vol. 12



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