Journal of Anglo-Italian Studies : volume 12

Abstract

Table of Contents:

- Shakespeare's The Tempest and Virgil's Aeneid: Gonzalo on Claribel and 'Widow Dido': Robert Hollander

- Dante, 'The Prophet of Liberty': The Mainstream Ideological Paradigm in Romantic Britain vis-a-vis Isaiah Berlin's Reflections on Liberty: Edoardo Crisafulli

- The Humanist Petrarch in Medieval and Early Modern England: Alessandra Petrina

- Mia Bella Italia: Mary Shelley's Italies: Timothy Webb

- 'The Burning Bush': Browning's First Visit to Asolo, June 1838: Sue Brown

- 'This Extraordinary Apathy': Wilkie Collins, Italy and the Contradictions of the Risorgimento: Mariaconcetta Costantini

- The Italian Scenes in Anthony Trollope' s He Knew He Was Right: David Farley-Hills

- Gendering Madness: Shakespeare's Macbeth re-visited by Verdi: Maria Frendo

- John Ruskin, Venice, and the 'Stones' of an Italian Utopia: Michela Marroni

- William Morris's Mediaevalism between Dante and Boccaccio: A Cognitive Approach to Literature: Eleonora Sasso

- By the Southern Sea: Gissing's Meridian Flight from the Realm of Modernity: Luigi Cazzato

- Modernist Myths. A Comparison between «La cognizione del dolore» and «Ulysses»: Valentino Baldi

- Mysterious Apparitions in the Land of Darkness: The Influence of Conrad in Buzzati's Short Fiction: Valentina Polcini

- The Narrative of Realism and Myth in Francesco Rosi's Salvatore Giuliano and Michael Cimino's The Sicilian: Gloria Lauri-Lucente

- Betrayal Italian Style: Sara Soncini

- Counterfeit Classics: Shakespeare/Camilleri Joking with Masks, Translations and Traditions: Carla Dente

- Conducting the Orchestra: Recent Experiences in Translating Italian Fiction into English: Silvester Mazzarella