The Cannataci family of silversmiths : design invention, stylistic evolution, and workshop production in nineteenth-century Malta

Abstract

This paper aims to examine the extensive and diverse oeuvre of the members of the Cannataci family of silversmiths across three generations active in the central Mediterranean island of Malta throughout the entire nineteenth century. It focuses on a selection of works by the brothers Saverio and Giovanni, by Giovanni’s son Vincenzo, and Saverio’s grandsons Roberto and Francesco Saverio. Silversmiths in nineteenth-century Malta were numerous but it is clear that the family dominated silver production on the island throughout the century, especially in the field of the ecclesiastical decorative arts. This contribution posits their work within peripheral and international contexts of design and decorative arts history, and considers it within a pivotal period for the development of the decorative arts in Malta. Despite its peripheral geographical position, the peculiar status of Malta as a British fortress colony with a staunchly Roman Catholic population, facilitated the absorption of international currents. Malta also retained the strong bond with Italy which had been nurtured during the long dominion of the Order of the Knights of St John. Supplying a huge demand for both domestic and ecclesiastical artefacts, the Cannataci family of silversmiths produced numerous works of all kinds and uses, ranging from quotidian utensils and vessels to larger pieces of church furniture and liturgical objets d’art. This contribution explores the design invention, the artistic quality and stylistic evolution of their oeuvre. Moreover, it investigates possible sources of inspiration and the nature of the workshop structure, as well as collaborative efforts with leading Maltese designers.