Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/75049
Full metadata record
DC FieldValueLanguage
dc.date.accessioned2021-05-03T07:23:14Z-
dc.date.available2021-05-03T07:23:14Z-
dc.date.issued2008-
dc.identifier.citationde Maria, J. (2008). Narrative and beyond : photography as a medium for the analysis of perception and meaning with the actor/spectator relationship (Master's dissertation).en_GB
dc.identifier.urihttps://www.um.edu.mt/library/oar/handle/123456789/75049-
dc.descriptionM.A.THEATRE STUD.en_GB
dc.description.abstractThe thesis investigates the nature of how the actor's work is perceived by the spectator within the field of contemporary research theatre. A theoretical perspective will frame an interdisciplinary investigation into the creation and reception of theatrical signs within contemporary research theatre. A practical perspective then uses the creation of photographic images of the actor at work and their consequent reading as a case study. The first part of the thesis adopts Eugenio Barba' s principles of theatre anthropology to analyse the creation and reception of signs by means of precarious equilibrium, the dance of oppositions, and consistent inconsistencies in the work of the performer. These principles will be seen as producing a level of estrangement within the encoded action, resulting in increased ambiguity of the performance text received by the spectator. The effectiveness and potential universality of these estrangement techniques are investigated. The second part of the thesis consists of a case study that focuses on the laboratory work of Centro Indipendente Ricerca Teatrale - a Milan-based theatre group under the artistic direction of Mario Ruggeri - during their work within the Summer University of Performing Arts (University of Malta 2005, 2006). The case study documents the theoretical and practical aspects of the group's work by means of photographic images of a segment of performance text. The resultant images as well as documented spectator response to a performance text performed by C.I.R.T. are analysed in the light of the principles of theatre anthropology. The principle aims which the thesis addresses are, therefore, (i) an inquiry into the creation of performance texts within contemporary research theatre, (ii) a problematization of Eugenio Barba's principles of theatre anthropology, and (iii) an inquiry into how spectators perceive and react to contemporary theatre performances.en_GB
dc.language.isoenen_GB
dc.rightsinfo:eu-repo/semantics/restrictedAccessen_GB
dc.subjectAct (Philosophy)en_GB
dc.subjectTheateren_GB
dc.subjectPhotographyen_GB
dc.titleNarrative and beyond : photography as a medium for the analysis of perception and meaning with the actor/spectator relationshipen_GB
dc.typemasterThesisen_GB
dc.rights.holderThe copyright of this work belongs to the author(s)/publisher. The rights of this work are as defined by the appropriate Copyright Legislation or as modified by any successive legislation. Users may access this work and can make use of the information contained in accordance with the Copyright Legislation provided that the author must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the prior permission of the copyright holder.en_GB
dc.publisher.institutionUniversity of Maltaen_GB
dc.publisher.departmentMediterranean Academy of Diplomatic Studiesen_GB
dc.description.reviewedN/Aen_GB
dc.contributor.creatorde Maria, Jeremy (2008)-
Appears in Collections:Dissertations - PATS - 1995-2011
Dissertations - SchPA - 1995-2011

Files in This Item:
File Description SizeFormat 
M.A.THEATRE STUD._Maria_Jeremy de_2008.pdf
  Restricted Access
19.48 MBAdobe PDFView/Open Request a copy


Items in OAR@UM are protected by copyright, with all rights reserved, unless otherwise indicated.