Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/100937
Title: Looking at stereotypes in ballet through the lens of traditional power settings, body aesthetics, and representation in ballets
Authors: Opouma Poupa, Marie-Madeleine (2022)
Keywords: Ballet -- Social aspects
Human body -- Social aspects
Stereotypes (Social psychology)
Social integration
Issue Date: 2022
Citation: Opouma Poupa, M.-M. (2022). Looking at stereotypes in ballet through the lens of traditional power settings, body aesthetics, and representation in ballets (Bachelor's dissertation).
Abstract: Ballet is a Western form of dance that has its roots in the traditions and aesthetics of the European elite. Over time, ballet has come to be associated with a specific body type and aesthetic that is often seen as unattainable for many people. This standardization of beauty within ballet has led to the exclusion of dancers, who often do not fit the mould of the "ideal" ballet dancer. Additionally, harmful stereotypes about minority groups are often perpetuated in ballet companies setting and performances. These wrong depictions can have harmful consequences for those who are subjected to them. However, by looking at stereotypes in ballet through the lens of traditional power settings, body aesthetics, and representation in ballets, a more accurate picture of the situation can be obtained. With this understanding, steps can be taken to create a more inclusive and representative ballet culture. Solutions presented in this dissertation are already underway in some companies, but more needs to be done in order to effect true change. Only by listening to the voices of those who are most affected by these issues can we hope to create a more equitable ballet culture for all.
Description: B. Dance St.(Hons)(Melit.)
URI: https://www.um.edu.mt/library/oar/handle/123456789/100937
Appears in Collections:Dissertations - SchPA - 2022
Dissertations - SchPADDS - 2022

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