Please use this identifier to cite or link to this item: https://www.um.edu.mt/library/oar/handle/123456789/147098
Title: 2025 Darmstädter Ferienkurse
Other Titles: On Darmstadt 2025
Authors: Erwin, Max
Keywords: Concert programs -- Germany -- Darmstadt
Music -- Germany -- Darmstadt -- 21st century -- History and criticism
Avant-garde (Music)
Queer theory
Art and society
Issue Date: 2026
Publisher: Wolke Verlag
Citation: Erwin, M. (2026). 2025 Darmstädter Ferienkurse. Tempo, 79(315), 95–107.
Abstract: Everybody said that it was a good year this year for Darmstadt. It’s hard to disagree – just about everything in the typical wall-to-wall-programming and the self-curated Open Spaces was not just enjoyable but creatively galvanizing. The level of musicianship, as always, was extremely high, and the tutors seemed particularly adept at inspiring their students. It’s probably precisely because there wasn’t some big totalizing effort to make a statement on The Future of Music that questions on the future of music were raised with such urgency and eloquence. As always, there was about sixteen days’ worth of music happening, so what follows is a very selective cross-section. I will start with the workshops.
URI: https://www.um.edu.mt/library/oar/handle/123456789/147098
ISSN: 14782286
Appears in Collections:Scholarly Works - SchPAMS

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