Theatre lighting as another performer on stage : a technical account

Abstract

The dissertation deals with the role that lighting plays in theatre production. It tackles the subject by focusing on the technicalities and the processes involved in lighting a show. The role of the light designer is defined vis-à-vis others that are involved in illuminating a production, which include the director, other designers, performers, and technicians. Within this context, the light design is considered as an active element that can be compared to ‘another performer on stage’ in terms of its meaning-making capacity. Moreover, the dissertation provides an overview of some of the technology that is available, the manner it can be used with regard to set design and performers, and the effects that can be generated. The dissertation addresses the topic of lighting a show in three main parts: (1) the procedure involved, (2) composing the light design, including preparatory work and research, and (3) its material actualisation in the theatre venue. In addition to publications on the subject and references to theatre history, the dissertation draws on practical experience in the field and an observation of light designs.