Puppets in theatre : an investigation of the use of different forms of puppets

Abstract

This dissertation focuses on different forms of using and engaging puppets in theatrical performances. It delves into the impact that puppets have on spectators and puppeteers. The dissertation begins with an overview of a range of puppet styles in time, space, and appeal, according to history, geography, and age groups. Dynamics and mechanisms of use (e.g. construction of puppets, animation of puppets, and reception of puppets in performance) are discussed. The dissertation addresses the topic of puppets in theatre with reference to three case studies. One case study focuses on marionette puppets by the Prague National Marionette Theatre company, specifically their performance Don Giovanni. The second case study looks at shadow puppets via the work of Richard Bradshaw and his short shadow performances. This case study focuses on multiple performances as they are all very short, approximately three minutes long. The third case study is dedicated to a Maltese production by Studio 18 called Dear Pete, in which a bunraku dog puppet was used. My involvement in Dear Pete provides practical insight based on my personal experience in the use of puppets in theatre. All three case studies explore the relevant specific style of puppetry that characterises each practice, as well as the relationship between the puppet and actor. The discussion on Dear Pete also explores the puppet and audience relationship.