| Issue Date | Title | Author(s) |
| 2025 | Maurice Maeterlinck’s ‘the tragic in daily life’ : a video essay | Aquilina, Stefan |
| 2026 | Editorial [Stanislavski Studies, 14(1)] | Aquilina, Stefan |
| 2024 | Editorial [Stanislavski Studies, 12(2)] | Aquilina, Stefan |
| 2024 | Editorial [Stanislavski Studies, 12(1)] | Aquilina, Stefan |
| 2025 | Editorial [Stanislavski Studies, 13(2)] | Aquilina, Stefan |
| 2025 | Editorial [Stanislavski Studies, 13(1)] | Aquilina, Stefan |
| 2023 | Editorial [Stanislavski Studies, 11(2)] | Aquilina, Stefan |
| 2023 | Editorial [Stanislavski Studies, 11(1)] | Aquilina, Stefan |
| 2026 | Aesthetic pacing : taking a cue from Eugenio Barba and Odin Teatret | Camilleri, Frank |
| 2026 | Auto-didacticism : the 3As of bodyworld and the case of invisible hours | Camilleri, Frank |
| 2026 | Evolving landscapes of performer training in the twenty-first century | Camilleri, Frank |
| 2026 | Stanislavsky from the outside : networking and re-working the self | Camilleri, Frank |
| 2026 | Milestones in actor training | Allain, Paul; Camilleri, Frank |
| 2023 | On habit and performance | Camilleri, Frank; Dewsbury, John-David |
| 2013 | Musicality and the act of theatre : developing musicalised dramaturgies for theatre performance | Frendo, Mario |
| 2024 | Towards a pedagogical vision for opera : the musico-dramatic text and Stanislavsky's 1922 staging of Eugene Onegin | Frendo, Mario |
| 2021 | A conversation on directing opera | Mitchell, Katie; Frendo, Mario |
| 2020 | The dithyrambic dramatist : a Nietzschean musical-performative conception | Frendo, Mario |
| 2020 | Opera’s second life : Katie Mitchell’s contributions to contemporary opera-making | Frendo, Mario |
| 2019 | Nietzsche, la música y el dramaturgo ditirámbico : una perspectiva performativa | Frendo, Mario |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 140