Study-Unit Description

Study-Unit Description


CODE ENG2095

 
TITLE English Literature and Music

 
UM LEVEL 02 - Years 2, 3 in Modular Undergraduate Course

 
MQF LEVEL 5

 
ECTS CREDITS 4

 
DEPARTMENT English

 
DESCRIPTION English Literature and Music I

The integration of English Literature with specialized comparative studies in Music.

The following will be reviewed: Rhythm as found in nature as the basis of speech, song, etc. Poetry of the Middle Ages (Beowulf). Plainsong, Tropes, the Lais (Lay). Influence of Troubadour Music and poetry on Minstrelsy in England. The pioneering work of Ruteboeuf leading to the first important examples of the clear separation of music and word. Italian influences on English Literature and Music (Boccacio and the poets of the “dolce stil nuovo”, the madrigals of Landini) Chaucer (Troilus, Parliament of Fowles and The Canterbury Tales). 15th Century England starts to take the lead (Dunstable). The carol. The Franciscan influence (contrafacta). The Elizabethan Madrigal. The dramatic function of song in Shakespearean Tragedy.

English Literature and Music II

The Globe Theatre (1598-1599). The Masque (Milton, Lawes). Metaphysics – John Donne; the ethical madrigal. Richard Lovelace (composer/poet). Satire (Pope, Fielding, Defoe and John Gay with his Beggar’s Opera”. The Enlightenment – the age of the Dictionary in both the literary and musical fields. The Dawn of Romanticism – Wordsworth, Coleridge and John Field. Robert Burns and the Scottish Ballad. The Burletta, Ballet. Sir Walter Scott in the line of Burns. Musical criticism (Newman, Shaw, Lambert). Influence of English Literature on “native” composers. Influence of English Literature on “foreign” composers.

Reading List:

English Literature and Music I

Bibliography

Economou, G. ed. Proensa: an Anthology of Troubadour Poetry
Topsfield, L.T., Troubadour and Love
Lindsay, J., The Troubadour and their World of the 12th & 13th Centuries
Cosign, P.J., Notes on Beowulf
Earle, J. ed., The deeds of Beowulf: an English epic of the 8th Century done in modern Prose
McGlee, T.J., Mediaeval and Renaissance Music
Douglas, W., Church Music in History and Practice
Beck, J.B., La Musique des Troubadours
Thrasy Bulos, G., The Rise of Western Music as exemplified in the settings of the Mass
Cooper, H., The Oxford Guide to the Canterbury Tales
Godden, M. & Lapridge, M.ed The Cambridge Companion to Old English Literature
Kane, G., Chaucer to Langland
Stevens, J., Words and Music in the Middle Ages
Mellers, W., Harmonious Meeting
Chapman, P., The Treatment of Sounds in Language and Literature
Wright, H.B., Boccaccio in England

English Literature and Music II

Bibliography

Noble, R., Shakespeare’s Use of Song
Rogers, P., Literature & Popular Culture in 18th Century England
Seng, P.J., The Vocal Songs in the Plays of Shakespeare
Hammond, G., The Metaphysical Poets
Hutton, R., Cardinal Newman
Purkis, J., The World of the English Romantic Poets
Machlis, J., The Enjoyment of Music
Ward, A.W. & Waller, A.R. Cambridge History of English Literature
Chapman, P., The Treatment of Sounds in Language and Literature
Hobsbawm, E.J., The Age of Revolution 1789-1848
Briggs, A., ed., The 19th Century
Abrams, M.H., The Mirror and the Lamp
Clark, K., The Romantic Rebellion
Honour, H., Romanticism
Bigsby, C.W.E., ed. Approaches to Popular Culture
Hall, S. & Whanner, P., The Popular Arts
Bedient, C., Eight Contemporary Poets
Schmidt, M., ed, British Poetry since 1960: A Critical Survey

 
STUDY-UNIT TYPE Lecture

 
METHOD OF ASSESSMENT
Assessment Component/s Assessment Due Sept. Asst Session Weighting
Examination (2 Hours) SEM2 Yes 100%

 
LECTURER/S Maria Frendo

 

 
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It should be noted that all the information in the description above applies to study-units available during the academic year 2023/4. It may be subject to change in subsequent years.

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