Catania, S. 2016, "The Dreaming Dead: Noirish Spectres of Hamlet in Kurosawa's The Bad Sleep Well", Merope, vol. 25, no. 64, pp. 5-25.
Catania, S. 2016, "Ferrying Nothingness: The Charon Motif in Murnau's Nosferatu and Dryer's Vampyr", Melita Classica, vol. 3, pp. 125-139.
Catania, S. 2016, "'Truth Beauty' as 'Waking Dream': Hitchcock's Vertigo and the Mystic Oxymoron of Keats' Poetry;", Literature/Film Quarterly, vol. 40, no. 1, pp. 19-33.
Catania, S. 2014, "Signifying Nothing: Bresson's Lancelot du Lac and the Arthurian Paradoxism of Tennyson's Idylls", Merope, vol. 23, no. 59-60, pp. 175-197.
Catania, S. 2014, "The Undying Light: Yoshida, Bataille and the Ambivalent Spectrality of Brontë's Wuthering Heights" in The Brontë Sisters in Other Wor(l)ds, eds. S. Qi & J. Padgett, Palgrave Macmillan, New York, pp. 169-190.
Catania, S. 2012, "An Ambrosial Breath of Faery’: Jean Epstein’s La Chute de la Maison Usher and the Inverted Orphism of Poe’s ‘Poetic Principle'" in Adapting Poe: Re-Imaginings in Popular Culture, eds. D.R. Perry & C.H. Sederholm, Palgrave Macmillan, New York, pp. 45-58.
Catania, S. 2012, "Filming Brontë's 'Ghostly Absence': Kosminsky's Wuthering Heights as a Cinefantastic Text", Literature/Film Quarterly, vol. 40, no. 1, pp. 20-27.
Catania, S. 2012, "The Hanging Rock Piper: Weir, Lindsay, and the Spectral Fluidity of Nothing", Literature/Film Quarterly, vol. 40, no. 2, pp. 84-95.
Catania, S. 2011, ""Landscape Living": Yoshida’s Arashi-ga-Oka and the Frost/Fire Heart of Brontë’s Wuthering Heights", Brontë Studies, vol. 36, no. 3, pp. 248-256.
Catania, S. & Callus, I. 2009, "The Otherless Other, or the Anonymity of Water: Unmapping Ondaatje's 'Sand Sea' Self in Minghella's The English Patient" in Shared Waters: Soundings in Postcolonial Literatures, ed. S. Borg Barthet, Rodopi, Amsterdam, pp. 229-243.
Catania, S. 2008, "“‘Darkness Rumbling’”: Kozintsev’s Karòl Lier and the Visual Acoustics of Nothing", Literature/Film Quarterly, vol. 36, no. 2, pp. 85-93.
Catania, S. 2008, "Wagnerizing Wuthering Heights: Buñuel’s Tristan Storm in Abismos de Pasión", Literature/Film Quarterly, vol. 36, no. 4, pp. 272-280.
Catania, S. 2006, "Wailing Woodwind Wild: The Noh Transcription of Shakespeare’s Silent Sounds in Kurosawa’s Ran", Literature/Film Quarterly, vol. 34, no. 2, pp. 85-92.
Catania, S. 2005, "The Haiku Macbeth: Shakespearean Antithetical Minimalism in Kurosawa’s Kumonosu-jo" in World-Wide Shakespeares: Local Appropriations in Film and Performance, ed. S. Massai, Routledge, London, pp. 149-156.
Catania, S. 2004, "Absent Presences in Liminal Places: Murnau's Nosferatu and the Otherworld of Stoker's Dracula", Literature/Film Quarterly, vol. 32, no. 3, pp. 229-236.
Catania, S. 2004, "To Unveil and/or to Mask: Buñuel's and Yoshida's Revisioning the Religious Theme in Wuthering Heights", Studia Filmoznawcze, vol. 25, pp. 65-81.
Catania, S. 2002, "'The Beached Verge': On Filming the Unfilmable in Grigori Kozintsev’s Hamlet [online]
", EnterText, [Online], vol. 1, no. 2, pp. 297-311.
Catania, S. & Bianco, L. 2002, "L'Année Dernière à Marienbad and the Cartography of an Orphic Life-in-Death: The Modern Katábasis of Resnais", Melita Theologica, vol. 52, no. 2, pp. 81-100.
Catania, S. 2000, "Cinematising the Euripidean and Sophoclean Spatial Dialectics: On the Skene-Self in Pasolini’s Medea and Edipo Re", Literature/Film Quarterly, vol. 28, no. 3, pp. 170-179.
Catania, S. 1999, "Filming Brontë's Moorish Soundscape: An Aural Analysis of Five Wuthering Heights Film Adaptation", Humanitas: Journal of the Faculty of Arts, vol. 1, no. 1, pp. 21-36.