AQUILINA, S., 2020. Communal Solidarity and Amateur Theatre in Post-Revolutionary Russia: Theoretical Approaches. Redefining Theatre Communities. International perspectives on theatre and communities, ed. by Marco Galea and Szabolcs Musca, , pp. 17-32.
AQUILINA, S., 2020. Modern Theatre in Russia: Tradition Building and Transmission Processes. London: Bloomsbury.
AQUILINA, S., 2020. Teaching Stanislavsky: Periodization and the Formation of Theatre Canons. Stanislavski Studies, 8(2),.
AQUILINA, S., 2019. Cultural Transmission of Actor Training Techniques: A Research Project. Theatre, Dance and Performance Training, 10(1), pp. 4-20.
AQUILINA, S., 2018. A Director’s Guide to Stanislavsky’s Active Analysis.Including the Formative Essay on Active Analysis by Maria Knebel by James Thomas. Theatre, Dance and Performance Training, 9(1), pp. 130-131.
AQUILINA, S., 2018. Meyerhold and the Revolution: A Reading through Henri Lefebvre's Theories on" Everyday Life". Theatre History Studies, 37(1), pp. 7-26.
AQUILINA, S. and SARCO-THOMAS, M., 2018. Interdisciplinarity in the Performing Arts: Contemporary Perspectives. Malta University Press.
AQUILINA, S. and SARCO-THOMAS, M., 2018. Introduction. In: S. AQUILINA and M. SARCO-THOMAS, eds, Interdisciplinarity in the Performing Arts: Contemporary Perspectives. pp. 1-20.
AQUILINA, S., 2017. An Amateur Processing of the System: Stanislavsky in Malta. Stanislavsky in the World: The System and Its Transformations Across Continents, , pp. 105-123.
AQUILINA, S., 2017. It is less about the system and more about the attitudes: Stanislavsky’s lesser known essays about actor training. Theatre, Dance and Performance Training, 8(1), pp. 19-32.
AQUILINA, S., 2017. Part Four: Introduction. In between binaries and paradoxes: Stanislavsky in Africa. Stanislavsky in the World: The System and Its Transformations Across Continents, , pp. 271-275.
AQUILINA, S., 2017. Part One: Introduction. Contextualization of tradition and transmission processes. Stanislavsky in the World: The System and Its Transformations Across Continents, , pp. 27-33.
AQUILINA, S., 2017. Part Three: Introduction. Beyond realism: Stanislavsky in Latin America. In: J. PITCHES and S. AQUILINA, eds, Stanislavsky in the World: The System and Its Transformations Across Continents. pp. 207-212.
AQUILINA, S., 2017. Well-trodden paths: US, UK, Russian and Soviet Perspectives on Stanislavsky’s transmission. Stanislavsky in the World: The System and Its Transformations Across Continents, , pp. 1-11.
PITCHES, J. and AQUILINA, S., 2017. Stanislavsky in the world: the system and its transformations across continents. Bloomsbury Publishing.
AQUILINA, S., 2016. Acts of Recognition: The Political Dimension of Terminology. Maska, 31(177-178), pp. 68-85.
AQUILINA, S., 2016. As simple but as complex as everyday cooking: Stanislavski’s use of physical actions in the recreation of nature. Stanislavski Studies, 4(2), pp. 111-124.
AQUILINA, S., 2015. The Manoel Theatre Academy of Dramatic Art: 1977-1980.
AQUILINA, S., 2013. Stanislavski and the Tactical Potential of Everyday Images. Theatre Research International, 38(3), pp. 229-239.
AQUILINA, S., 2013. Stanislavski's accumulative practice in Artists and Admirers rehearsals (1932-33). Stanislavski Studies, 1(2), pp. 3-47.
AQUILINA, S., 2012. Stanislavski's encounter with the Revolution. Studies in Theatre and Performance, 32(1), pp. 79-91.
AQUILINA, S., 2012. Stanislavsky and the impact of studio ethics on everyday life. Theatre, Dance and Performance Training, 3(3), pp. 302-314.