Dr Adnan Hadziselimovic

Dr Adnan Hadziselimovic

Dr Adnan Hadziselimovic

  M.A.,Ph.D. (Lond.)

Senior Lecturer

Room 315
Digital Arts
Faculty of Media & Knowledge Sciences
Msida
  +356 2340 3139
Dr Adnan Hadzi is currently resident academic at the Faculty of Media and Knowledge Sciences, University of Malta. Dr Hadzi’s latest research project involves the use of immersive technologies for the Immersion Lab University of Malta (ILUM) project, for which he has recently been awarded a Research Excellence Award. The ILUM consortium consists of the Immersion Lab of the Faculty of Media and Knowledge Sciences [MAKS], University of Malta, the Visual Narratives Laboratory [VNLAB] of Lodz Filmschool, Poland, the Immersive Lab [IL] at the Zurich University of the Arts, Switzerland, the Department of Architecture, Design and Planning [DADU] at University of Sassari, Italy, and the Spatial Media Research Group [SMRG] at the National and Kapodistrian University of Athens, Greece.

Dr Hadzi’s research interest demonstrates his commitment to equal opportunities not only in principle but also in practice. Thus artistic practice as research becomes important in order to discuss 'Access to Technology', a key point for digital/social media. It is through Free and Open Source Software and technologies his research has a social impact. Currently Dr Hadzi is a participant researcher in the Strategic Partnerships project Experience and immersive technologies - from creative practice to educational theory, following the successfully finished H2020 MAZIzone research project. Dr Hadzi is co-editing and producing the after.video computer book series, exploring video as theory, reflecting upon networked video, as it profoundly re-shapes medial patterns.

Dr Hadzi’s documentary film work tracks artist pranksters The Yes Men and net provocateurs Bitnik Collective. In 2013 he released Bitter Lemons documentary mapping lemon grovers on both sides of the no man’s land of Cyprus. Dr Hadzi’s current documentary project focuses on his involvement in the media arts collective !Mediengruppe Bitnik. A collective of contemporary artists working on and with the Internet. Bitnik’s practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms. Bitnik's works formulate fundamental questions concerning contemporary issues.
  • Digital Arts
  • Artistic Research
  • Interactive Net Art
  • Participatory Art Cultures
  • Immersive Audio/Visual Technologies & Environments
  • Media Law & Ethics
  • Research ORCID ID: 0000-0001-6862-6745

Video Vortex XII proceedings: art, archive, algorithms, activism. 2021. 1 edn. Amsterdam: Institute of Network Cultures.

!MEDIENGRUPPE BITNIK, 2021. Heim für obsolete Medien. Langenthal: Kunsthaus Langenthal.

!MEDIENGRUPPE BITNIK, 2021. iStreet.TV - your own Private Pirate TV Station. In: R. DOERIG and F. KAUFMANN, eds, H.o.Me. - Heim für obsolete Medien / H.o.Me. - Home for Obsolete Media. Basel: Christoph Merian Verlag, .

HADZI, A., 2021. Advanced use of technologies, Extended Realities (XR) in Digital Humanities and Social Sciences, Humanistic Management Network, nov 2021, Humanistic Management Network.

HADZI, A., 2021. boattr.eu: Awareness raising regarding the Central Mediterranean Migration. European Network for Cinema and Media Studies conference on Transitions: Moving Images and Bodies, University of Palermo edn. Palermo: University of Palermo.

HADZI, A., sep, 2021-last update, boattr.uk. Available: https://boattr.uk.

HADZI, A., 2021. boattr.uk 360 short immersive documentary film. Video Vortex XII Proceedings. 1 edn. Amsterdam: Institut of Network Cultures, .

HADZI, A., 2021. Erasmus XR – immersive experiences in European Higher Education, MTL connecte | La semaine numérique, oct 2021, Printemps numérique.

HADZI, A., 2021. Immersive Experiences in Social Shared Spaces. The Image Research Network 2021 conference edn. Lisbon, Portugal: Polytechnic Institute of Lisbon.

HADZI, A., 2021. Immersive Experiences in social shared spaces - Audio/Visual artistic research in European Immersion Labs, CA2RE, mar 2021, HafenCity University Hamburg.

HADZI, A., 2021. Immersive Experiences in Social Shared Spaces Audio/Visual Artistic Research in European Immersion Labs, 22nd Convention of the Media Ecology Association, jul 2021, Media Ecology Association.

HADZI, A., 2021. Interdisciplinary Immersive Experiences within Artistic Research Social and Cognitive Sciences. Electronic Imaging: The Engineering Reality of Virtual Reality conference, .

HADZI, A., 2021. Interdisciplinary Immersive Experiences within Artistic Research Social and Cognitive Sciences. IS&T Electronic Imaging conference, San Francisco edn. United States: IS&T Electronic Imaging.

HADZI, A., 2021. Interdisciplinary Research in Extended Reality Spaces, X-disciplinary Congress on Artistic Research and Related Matters, oct 2021, Vilnius Academy of Arts.

HADZI, A., 2021. Interdisciplinary Virtual Social Shared Spaces Audio/Visual Artistic Research in European Immersion Labs, 43rd Anniversary Association for Interdisciplinary Studies, oct 2021, Southern Utah University.

HADZI, A., 2021. Living technologies: the Towpath as a Living Environment (Bio- and Technosphere), Futures of Living Technologies (FELT), nov 2021, Oslo Metropolitan University, Faculty of Technology, Art and Design.

HADZI, A., 2021. Off-network low-impact living on the cut. London: Goldsmiths, University of London.

HADZI, A., 2021. Reflections on Virtual Realities in Social Shared Spaces, Digital Culture & AudioVisual Challenges, may 2021, University of Corfu.

HADZI, A., 2021. Virtualities and Realities in Social Shared Spaces, ADD+ART, jul 2021, IN TRA2.

!MEDIENGRUPPE BITNIK, 2020. AI: Love and Artificial Intelligence. Beijing, China: Hyundai Motorstudio.

!MEDIENGRUPPE BITNIK, 2020. Imagine you wake up and there is no Internet. Athens, Greece: NEON Organization for Culture and Development.

!MEDIENGRUPPE BITNIK, 2020. Tracking, Networks and Data. Ljubljana, Slovenia: Aksioma Gallery.

ABRAHAMS, A., BLOM, I., BOOKCHIN, N., DESOTO, P., GROSSER, B., HADZI, A., KIS, J., LANGE, P., LI, H., LICHTY, P., LOVINK, G., MENOTTI, G., NIEDERER, S., OKI, D., OZGUN, A., PINHEIRO, D., PUNYASHLOKA, R., SCHULTZ, O.L., SNOWDEN, P., TRESKE, A., TRON, C., WILSON, J. and ZHANG, D.G., 2020. Video Vortex Reader #3: Inside the YouTube Decade. Amsterdam: Institut of Network Cultures.

BEVILACQUA, D. and HADZI, A., 2020. Lost in the Garden of Clouds exhibition walk-through. European League of Institutes of the Arts (ELIA) - Bienniale 2020 edn. Zurich, Switzerland: European League of Institutes of the Arts.

HADZI, A., 2020. Algorithms, Ethics & Justice. Media Arts and Design (MAD) conference 2020 edn. Krems, Austria: Donau-University Krems.

HADZI, A., 2020. Immersive Labs in Artistic Doctorate Visual Pedagogies. On the Image Conference edn. University of New South Wales, Sydney, Australia: University of New South Wales, Sydney, Australia.

HADZI, A., 2020. Immersive Labs in Artistic Research and Visual Pedagogies. European League of Institutes of the Arts (ELIA) - Bienniale 2020 edn. Zurich, Switzerland: Arts School Zurich, Switzerland.

HADZI, A., 2020. Machine Learning and Environmental Justice. RIXC conference, Riga, Latvia edn. Riga, Latvia: RIXC.

HADZI, A., 2020. Mindeless Futurism. TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science conference edn. Vienna: University of Applied Arts Vienna.

HADZI, A., 2020. Mindless Futurism. Hacking the Computable conference edn. Stuttgart, Germany: Campus der Gegenwart at University of Music and Performing Arts.

HADZI, A., 2020. Social justice and AI in Virtual Worlds, Why Sentience?, oct 2020, ISEA International, pp. 205-212.

HADZI, A., MORENO-LAX, V. and KOPP, H., 2020. From Sea to City. Art Meets Radical Openness (AMRO) conference edn. Linz, Austria: Servus.AT.

HADZI, A., MORENO-LAX, V., PISANI, M. and KOPP, H., 2020. Central Mediterranean Context. European Forum for Advanced Practices workshop edn. Malta: European Cooperation in Science and Technology (COST).

HADZI, A. and ROIO, D., 2020. Re-Centralization of AI focusing on Social Justice. A Nourishing Network, 1(1),.

VAN OLDENBORGH, L. and HADZI, A., 2020. Demand justice for the El Hiblu 3. London, United Kingdom: Amnesty International.

!MEDIENGRUPPE BITNIK, 2019. Cryptorave #10. Basel, Switzerland: HeK.

!MEDIENGRUPPE BITNIK, 2019. CryptoRave #8 transmediale. Berlin: Transmediale.

!MEDIENGRUPPE BITNIK, 2019. There is a Beginning in the End. The Secret Tintoretto Fraternity. Venice: Pushkin Museum.

ABRAHAMS, A., PARRA, L., PINHEIRO, D., HADZI, A. and TRESKE, A., 2019. Distant Feeling(s) performance + Distant Feelings #6 archive. Malta: Institute of Network Cultures.

HADZI, A., 2019. Awareness raising regarding the Central Mediterranean Migration crisis. Association for Interdisciplinary Studies 2019 conference edn. Amsterdam, Netherlands: University of Amsterdam.

HADZI, A., 2019. boattr – Digital Art on the British Waterways. The Image Research Network conference edn. Manchester, UK: University of Manchester.

HADZI, A., 2019. boattr - immersive video on the british waterways, Digital Culture & AudioVisual Challenges conference 2019 proceedings, dec 2019, Ionian University.

HADZI, A., 2019. boattr - Living on the Cut. In: D. HONORATO, M. ANTΟNIA GONZÁLEZ VALERIO, M. DE MENEZES and A. GIANNAKOULOPOULOS, eds, TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science PROCEEDINGS. Corfu, Greece: Ionian University - Department of Audio & Visual Arts, pp. 144-171.

HADZI, A., 2019. boattr – the towpath bio- and technosphere. RIXC conference, Riga edn. Riga, Latvia: RIXC.

HADZI, A., 2019. boattr 360 - cultural heritage of the canals. Society for Imaging Science and Technology conference edn. San Francisco: University of San Francisco.

HADZI, A., 2019. boattr 360 - cultural heritage of the canals. Electronic Imaging, 2019(8), pp. 417-1--417--11.

HADZI, A., 2019. Boattr: digital arts and low impact life on the towpath. International Journal of Performance Arts and Digital Media, 15(2), pp. 197-214.

HADZI, A., 2019. Circuits Keynote. Circuits conference edn. Spazju Kreattiv, Valletta, Malta: Electronic Music Malta.

HADZI, A., 2019. Displaying Video as Theory and Reference System. VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments, 17(2), pp. 433-441.

HADZI, A., 2019. Immersive Video on the British Waterways. Digital Culture & AudioVisual Challenges conference edn. Corfu, Greece: Ionian University.

HADZI, A., 2019. living on the cut. Manchester: The Image Research Network.

HADZI, A., 2019. Restorative Justice & AI. Media Ethics 2019 conference edn. Toronto, Canada: Media Ethics Lab, St. Michael’s College in the University of Toronto.

HADZI, A., 2019. Social Justice and Artificial Intelligence. Body, Space & Technology, 18(1), pp. 145-174.

HADZI, A. and RICHTER, M., 2019. Mapping Gaps: Hands-on Workshop on Collaboration in Artistic Research and Curatorial Practice. ACM Lab workshop edn. Valletta, Malta: Arts Council Malta.

HADZI, A. and ROIO, D., 2019. Restorative Justice in Artificial Intelligence Crimes. Spheres Journal, 5(Spectres of AI), pp. 1-18.

HADZI, A., SCHULTZ LERONE, O. and WORTHINGTON, S., 2019. after.video: VV XII Proceedings. Video Vortex XII conference edn. Spazju Kreattiv, Valletta, Malta: Institut of Network Cultures.

HADZI, A., STURNY, N., CANNING, R. and STEVENS, J., 2019. The Towpath Bio- & Technosphere. London: Mute Publishing Ltd.

RYBN, HADZI, A. and STURNY, N., 2019. OFFSHORE TOUR OPERATOR GOZO MALTA - THE GREAT OFFSHORE. Malta: Dorothea.Space.

!MEDIENGRUPPE BITNIK, 2018. #CRYPTORAVE. Berlin: Panke Gallery.

!MEDIENGRUPPE BITNIK, 2018. ALEXIETY. Berlin: Panke Gallery.

!MEDIENGRUPPE BITNIK, 2018. Are you Online Now? The Futility of Algorithmic ConversationIs this it? is this it? issue 04. London: Artbyte Gallery, pp. 104-119.

HADZI, A., 2018. boattr – MAZI prototype. Do-It-Yourself Technologies for Action and Empowerment MAZI Symposium edn. Edinburgh: University of Edinburgh.

HADZI, A., 2018. boattr - towpath as social commons. TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science conference edn. Mexico City: Instituto de Investigaciones Filosóficas, UNAM, Mexico.

HADZI, A., 2018. boattr - towpath as urban commons. Radical Networks 2018 conference edn. Berlin: Spektrum Berlin.

HADZI, A., 2018. boattr - towpath as urban commons. Digital Research in the Humanities and Arts 2018 conference edn. Valletta, Malta: Spazju Kreattiv.

HADZI, A., 2018. boattr 360 - cultural heritage of the canals installation. Berlin: Radical Networks.

HADZI, A., 2018. boattr 360 installation. Malta: Dorothea.Space.

HADZI, A., 2018. boattr 360 installation. Malta: DRHA.

HADZI, A., 2018. boattr computer book installation. Edinburgh: University of Edingburgh.

HADZI, A., 2018. Referentiality: Video Book Case Study. Digital Culture & AudioVisual Challenges 2018 conference edn. Corfu, Greece: Ionian University - Department of Audio & Visual Arts.

HADZI, A., 2018. What’s Visible – the mechanics of i-docs. iDocs 2018 conference edn. Bristol: University of Bristol.

RELJIC, T. and HADZI, A., 2018. Finding the soul in the machine. Think Magazine, (26), pp. 16-21.

after.video - Assemblages. 2017. London: Open Humanites Press.

after.video - computer book. 2017. London: Open Humanities Press.

!MEDIENGRUPPE BITNIK, 2017. Alexa, Who is Joybubbles? Geneva: Societe des Arts.

!MEDIENGRUPPE BITNIK, 2017. Data Detox Bar: TOR access point. London: The Glass Room.

HADZI, A., 2017. Displaying Video as Theory and Reference System. RIXC, Open Fields conference on Virtualities and Realities edn. Riga: RIXC.

HADZI, A., 2017. Surveillance Assemblies. after.video Assemblages. London: Open Humanities Press, pp. 33-35.

HADZI, A., 2017. Video Book microcomputer prototype. Makerfaire Rome 2017 conference edn. Rome: Maker Magazine.

HADZI, A. and STEVENS, J., 2017. Mesh media. Taking Care of Things conference edn. Lueneburg, Germany: Post Media Lab, Leuphana University.

PACE, A., 2017. Adnan Hadzi - M3P.

AFTER.VIDEO COLLECTIVE, 2016. Seeing Power - What About That? Berlin: Transmediale.

APPRICH, C., HADZI, A. and FREUDENSCHUSS, M., 2016. Networked - A Media Genealogy of the Network Society. Transmediale conference edn. Berlin: Haus der Kulturen der Welt.

HADZI, A., 2016. after.video preview. Indefinite Vision conference edn. London: Whitechappel Art Gallery.

HADZI, A., 2016. after.video video book. Art Meets Radical Openness (AMRO) 2016 conference edn. Linz, Austria: Servus.AT.

HADZI, A., 2016. Fusion of the modes of the digital/networked publication and the traditional form of the physical (wasted?) book. Linz, Austria: Servus.AT.

HADZI, A. and SCHULTZ, O.L., 2016. after.video video book. Libre Graphics 2016 conference edn. London: University of Westminster.

HADZI, A., 2015. TV hacking within media arts practice. In: C. ATTON, ed, The Routledge Companion to Alternative and Community Media. London: Routledge, pp. 516-527.

HADZI, A. and DESOTO, P., 2015. Imersão para desenvolvimento de projetos - Immersion into projects in development. Besides the Screen 2015 conference edn. Sāo Paulo, Brazil: University of Sao Paulo.

HADZI, A. and SCHULTZ, O.L., 2015. 'S.o.S’ Piratebox and Beyond. Besides the Screen conference edn. Coventry: Disruptive Media Lab, University of Coventry.

HADZI, A. and STEVENS, J., 2015. reSync All. Transmediale, Berlin edn. Berlin: Haus der Kulturen der Welt.

STEVENS, J., HADZI, A. and PANAYOTIS, A., 2015. CONTACT: Facilitating information sharing between strangers with DIY networking. Hybrid City #3 conference edn. Athens, Greece: University of Athens.

!MEDIENGRUPPE BITNIK, 2014. Delivery for Mr Assange. Basel, Switzerland: Echtzeit Verlag.

!MEDIENGRUPPE BITNIK, 2014. Random Darknet Shopper in «The Darknet – From Memes to Onionland. An Exploration». St. Gallen, Switzerland: Kunsthalle.

HADZI, A. and SCHULTZ, O.L., 2014. Spectrals of the Spectacular. Besides the Screen 2014 conference edn. Sāo Paulo: University of Sāo Paulo.

HADZI, A. and STEVENS, J., 2014. Deckspace.TV reSynced. In: C. APPRICH, J. BERRY SLATER, A. ILE and O.L. SCHLULTZ, eds, Plants, Androids and Operators: A Post-Media Handbook. Lueneburg: Post-Media Lab, University of Leuphana, pp. 168-183.

HADZI, A., STEVENS, J. and GALANOPOULOS, A., 2014. reStreet / Enclosures of New Athens. New Babylon revisited conference edn. Athens: Goethe Institute Greece.

HADZI, A. and VAN OLDENBORGH, L., 2014. Bitter Lemons. London, UK: H+O Films.

!MEDIENGRUPPE BITNIK, 2013. Delivery for Mr. Assange. Zurich: Helmhaus.

!MEDIENGRUPPE BITNIK, 2013. Delivery for Mr. Rajab. Zurich: Helmhaus.

BERRY SLATER, J., 2013. Adnan Hadzi & James Stevens Post-Media Lab.

HADZI, A., 2013. Critical Video Editing. In: K. HOWLEY, ed, Media Interventions. New York: Peter Lang, pp. 323-341.

HADZI, A., 2013. Radical Real Time. Post Digital Cultures conference edn. Lausanne: University of Lausanne.

HADZI, A. and STEVENS, J., 2013. howTo reSync Deckspace.TV. London, UK: Deckspace Media Lab.

!MEDIENGRUPPE BITNIK, 2012. Surveillance Chess. London, UK: Space Studios.

HADZI, A., 2012. Deptford.TV: Critical Video Editing. 4th European Communication Conference in Istanbul edn. Istanbul: European Communication Research and Education Association.

HADZISELIMOVIC, A., 2012. FLOSSTV Free Libre Open Source Software (FLOSS) within participatory 'TV hacking' Media and Arts Practices, Goldsmiths, University of London.

HARRIS, H. and HADZI, A., 2012. TV Q&As. TV like US. London: Finnish Cultural Institute, .

!MEDIENGRUPPE BITNIK, 2011. Questions - Noise. Berlin: Substitute Gallery.

HADZI, A., 2011. Deptford TV: C/Overt operations with CCTV sniffing. Open Knowledge Conference edn. Berlin: Open Knowledge Foundation.

HADZI, A., 2011. Deptford.TV toolkit. London: Deckspace Media Lab.

HADZI, A., 2011. FLOSS Culture. International Symposium on Electronic Arts, Istanbul edn. Istanbul: Sabanci University, Istanbul.

HADZI, A., 2011. FLOSS Culture, , dec 2011, International Symposium on Electronic Arts (ISEA), pp. 1093-1100.

HADZI, A., HASKEL, L. and BLAZIC, L., 2011. Deptford TV: collaborative open source video editing. Pixelache 2011 conference edn. Helsiniki: Pixelache.

!MEDIENGRUPPE BITNIK, 2010. Following The Crisis. London, UK: Space Studios.

!MEDIENGRUPPE BITNIK, TRANIELLO, R., BLAZIC, L., STURNY, N., HADZI, A., CANNING, R., MENOTTI, G., OREGGIA, E., DARK HEART OF CODENESS PARTICIPANTS and FOLLOWING THE CRISIS PARTICIPANTS, 2010. Pychogeophysics 2010. London, UK: Deptford TV.

HADZI, A., 2010. Data Sphere. Sarai Reader 08: Fear. New Delhi: Sarai Media Lab, pp. 171-182.

HADZI, A. and VAN OLDENBORGH, L., 2010. FILE-SHARING for Documentarrrians (yo–ho-ho)! DOX, , pp. 3-4.

Node.London Reader II. 2009. London: Mute Publishing Ltd.

!MEDIENGRUPPE BITNIK, 2009. CCTV – A Trail of Images. London, UK: Space Studios.

!MEDIENGRUPPE BITNIK, 2009. Ubs Lügt / UBS Lies. London, UK: Space Studios.

HADZI, ADNAN AND WONG, ASHLEY AND HASKEL, LISA AND STEVENS, JAMES AND CIBILS, OSVALDO AND MCKEOWN, ANITA AND CARDULLO, PAOLO AND ADITI, TAHITI AND ALLEN, STEVEN AND TENYEN, 2009. Ebb of Images. London, UK: Deptford.TV.

HADZI, A., MCKEOWN, A., PAOLO, C., STEVENS, J. and STURNY, N., 2009. A trail of images of Deptford. London, UK: Deptford TV.

HADZI, A., 2009. Depford.TV and the Data Sphere. In: A. HADZI, M. JANKOWICZ and A. COLIN, eds, Node.London Reader II. London: Mute Publishing Ltd, pp. 107-117.

HADZI, A., 2009. Deptford.TV and the Data Sphere. CRESC Annual Conference 2008: Culture and Citizenship edn. Milton Keynes: Centre for Research on Socio-Cultural Change (CRESC) Faculty of Social Sciences Open University.

HADZI, A., 2009-last update, Edit.Deptford.TV Collaborative Film Making Tools. Available: http://edit.deptford.tv/.

HADZI, A., 2009. A Trail of Images of Poitiers. Poitiers, France: Internet Archive.

HADZI, A., 2009. Vertigo Showcase - Deptford TV. Vertigo Magazine, 4(2),.

HADZI, A., 2009. Why openness matters. Using Moving Image Archives conference edn. London: University College London.

HADZI, A. and HASKEL, L., 2009. Deptford.TV - participatory filmmaking. MakeArt conference edn. Poitiers: MakeArt.

HADZI, A. and ROTA, A., 2009. Why Openness Matters: The Deptford.TV Project. Open Video Conference New York edn. New York: New York University.

THE YES MEN, 2009. The Yes Men Fix the World. London, UK: Arte France Cinéma.

Deptford.TV diaries II: Pirate Strategies. 2008. London: Mute Publishing Ltd.

!MEDIENGRUPPE BITNIK, 2008. Download Finished! London: OpenMute.

!MEDIENGRUPPE BITNIK, 2008. Pirate TV Station. Jamaica: Container Project.

ANDERSSON, J., 2008. The fantasy of cultural control, and the crisis of distribution. In: A. HADZI, ed, Deptford.TV II: Pirate Strategies. London: OpenMute, .

HADZI, A., 2008. The author versus the collective. AVPhD conference edn. London: University of Westminster.

HADZI, A., 2008. Evolving Patterns of Media Use. RIPE conference edn. Mainz, Germany: University of Mainz.

HADZI, A., 2008. Involve me and I will understand, the Deptford.TV project. In: A. HADZI, ed, Deptford.TV diaries II: Pirate Strategies. London: Mute Publishing Ltd, pp. 155-167.

HADZI, A., 2008. Participatory History Making and Documenting. Disclosures conference edn. London: Gasworks Galelry.

HADZI, A., 2008. TV Hacking: iStreet.TV. Documentary Now! conference edn. London: Brunel University, London.

HADZI, A., 2008. What will New Cross be? London, UK: Deptford.TV.

HADZI, A. and HASKEL, L., 2008-last update, Deptford.TV - Workflow. Available: http://watch.deptford.tv/wiki/index.php/Workflow;.

HADZI, A., HASKEL, L. and !MEDIENGRUPPE BITNIK, 2008-last update, Cinelerra Server. Available: http://watch.deptford.tv/wiki/index.php/Cinelerra_Server;.

HADZI, A. and MEDOSCH, A., 2008. Taxi to Praxi (and back again): the nextlayer. From Taxi to Praxi conference edn. London: Goldsmiths, University of London.

HADZI, A., MEDOSCH, A. and BROWN, L., 2008. The Next Layer as a Medium for Practice-led Research. From Taxi to Praxi conference edn. London: Goldsmiths, University of London.

KING, J. and HADZI, A., 2008-last update, VoDo - Volountary Donation. Available: http://www.vodo.net/;.

WALSH, J., 2008. Componentization and Open Data. In: A. HADZI, ed, Deptford.TV II: Pirate Strategies. London: OpenMute, .

Converge: Online Video. 2007. London: Goldsmiths, University of London.

Inclusion Through Media. 2007. London: Hi8Us.

HADZI, A., 2007. A2T: bridging the digital divide. In: K. COYER, T. DOWMUNT and A. FOUNTAIN, eds, The alternative Media Handbook. London: Routledge, .

HADZI, A., 2007. Deptford Now and Then. MECCSA conference edn. Cardiff: Cardiff School of Journalism.

HADZI, A., 2007. What is Deptford.TV? Video Active conference edn. London: Kings College.

HADZI, A. and CHATZICHRISTODOULOU, M., 2007. Strategies of Sharing: the Case-study of Deptford.TV. Street Signs, Autumn, pp. 19-21.

Deptford.TV diaries: Strategies of Sharing. 2006. London: Goldsmiths, University of London.

HADZI, ADNAN AND ANDEL, EMANUEL AND AMPERSAND, 2006. A symphony of Deptford. London, UK: Deptford.TV.

HADZI, A., 2006. Deptford TV Blog.

HADZI, A., 2006. How to D.TV. In: A. HADZI, ed, Deptford.TV diaries: Strategies of Sharing. London: Goldsmiths, University of London, .

HADZI, A., 2006. What is Deptford. TV? Deptford.TV diaries: Strategies of Sharing. London: OpenMute, pp. 7-9.

HADZI, A. and X, M., 2006. On the politics of sharing: the case-study of the Deptford.TV project. In: E. KARABA and N. YIAKOUMAKI, eds, Feedback #4. London: Whitechapel Art Gallery, pp. 5-16.

ROTA, A., 2006. The discreet charm of the commons. In: A. HADZI, ed, Deptford.TV diaries: Strategies of Sharing. London: OpenMute, .

HADZI, A., 2005-last update, Deptford.TV. Available: http://deptford.tv/;.

HADZI, A., 2004. Babushka. Freiburg, Germany: Quinte Films.

  • DGA1019 - Introduction to Software and Hardware
  • DGA2009 - Designing for the Screen 1
  • DGA2017 - Introduction to Interactive Art
  • DGA2018 - Immersive Experience Design
  • DGA3012 - Degree Exhibition
Academic responsibilities:

Body, Space & Technology (BST) Journal: member of the editorial board, London, UK,
URL: https://www.bstjournal.com/

Peer reviewer for Journal of Imaging Science and Technology, URL:
http://www.imaging.org/jist/

Peer reviewer for Journal of Peer Production (P2P), URL: http://peerproduction.net/

Acting Head of Department for academic year 2019

Assistant Chair, Faculty Research Committee, Faculty of Media & Knowledge Sciences,
MaKS, UM

Member of Scientific Committee of the International Conference in Digital Culture &
Audio-visual Challenges: Interdisciplinary Creativity in Arts and Technology, Ionian
University, Corfu, Greece

After Video, Series Editor & Producer, Open Humanities Press, London, UK, in
collaboration with the Centre for Digital Cultures, Leuphana University, Germany

Co-Organiser Video Vortex conference. The Institute of Network Cultures (INC) started
the Video Vortex international network in 2007, URL:
http://networkcultures.org/videovortex/


Research Collaborations:

Immersive Lab University of Malta (ILUM), supported by European Commission Strategies
Partnership, and RSSD Research Excellence Award, 2021 to 2024 | Grants

European Forum for Advanced Practices (EFAP), supported by COST: European Cooperation
in Science and Technology (Brussels, Belgium), 2019 to 2023 | Grant, CA18136, URL:
https://www.cost.eu/actions/CA18136/#tabs|Name:overview

Video Vortex XII Conference, Conference Incentive Fund, supported by the Ministry of
Finances (Valletta, Malta), 2019-09-26 | Grant, MFEI Circular 03/16, URL:
https://mfin.gov.mt/

boattr project for MAZI (CreekNet) supported by Horizon2020: Collective Awareness
Platforms for Sustainability and Social Innovation (CAPS), European Commission
(Brussels, Belgium), 2016 to 2018 | Grant,
URL:https://ec.europa.eu/programmes/horizon2020/en/h2020-section/collective-
awareness-platforms-sustainability-and-social-innovation-caps

Cycles of Circulation – Knowledge Practices and Planetary Flows Between Science,
Representation and Control, forthcoming research collaboration with Critical Media
Lab Basel, Switzerland, supported by Swiss National Science Foundation, 2021 | Grant
SNSF (185494), URL: https://www.ixdm.ch/portfolio/cycles-of-circulation/

Media and Migration - SSHRC Partnership Grant application in partnership with Global
Emergent Media (GEM) Lab at Concordia University, Montreal, Canada, supported by
Social Sciences and Humanities Research Council (SSHRC), Ottawa, Canada, planned for
2022 until 2029, Partnership Grant SSHRC, URL: https://www.globalemergentmedia.com/

https://www.um.edu.mt/_templates/staffprofiles/